SHORT: Mario + Ashley

[SupaDupa]

Recently we were fortunate enough to be a part of Mario and Ashley's wedding. We've always strived to capture a wedding in the most cinematic way, for we rarely interrupt a moment or direct any sequences to maintain a candid ambiance throughout the piece.

Technical:
Camera: Canon 60D
Lenses: Canon 50mm 1.2, Canon 35mm 1.4, Canon 24mm 1.4 II, Canon 24-70mm 2.8, Canon 70-200mm 2.8 II
Stabilization: Manfrotto Monopod, Manfrooto Tripod, Cinevate FLT Slider

SupaDupa Let Them Eat Cake Films (www.letthemeatcakefilms.com)

 

[j1clark@ucsd.edu]

Recently we were fortunate enough to be a part of Mario and Ashley's wedding. We've always strived to capture a wedding in the most cinematic way, for we rarely interrupt a moment or direct any sequences to maintain a candid ambiance throughout the piece.

Technical:
Camera: Canon 60D
Lenses: Canon 50mm 1.2, Canon 35mm 1.4, Canon 24mm 1.4 II, Canon 24-70mm 2.8, Canon 70-200mm 2.8 II
Stabilization: Manfrotto Monopod, Manfrooto Tripod, Cinevate FLT Slider

SupaDupa Let Them Eat Cake Films (www.letthemeatcakefilms.com)

While some of the shots had a green/yellow cast, the shots in the 'tunnel' (or whatever...), had some pretty noticeable color shifts from one angle to the other. In the over-the-shoulder shots from the groom's back to the bride, the cast was the greenishyellow. From the opposite side, and from the 'master shot' pov, it looked like the colors had been white balanced, as the dress was 'white', and didn't have the color cast.

I'd suggest making it all one cast... or all white balanced... one or the other...