Evangelos Achillopoulos
Well-known member
I just want to inform that we offer LUT's for working in real Log workflow on REC709 for the S-Log footage that F3 will produce.
Also we offer a workflow in which you use an input LUT on DaVinci to fix the color balance for FIlm i.e. then you use a viewing LUT for Filmout, you grade and when you are ready to render you use conversion LUT's for every different distribution medium i.e. REC709, DCP, sRGB (internet), SD NTSC, SD PAL etc. In this way you grade once with the aesthetics of Film embedded to your image and you delivering to any target you want... you can even do a real Filmout with exceptional results...
You can select our collaboration level from student, DIT all the way up to full DI house...
Or you can use the generic LUTs to do it fast...
http://www.motionfx.gr/film-overview.html
Also we offer a workflow in which you use an input LUT on DaVinci to fix the color balance for FIlm i.e. then you use a viewing LUT for Filmout, you grade and when you are ready to render you use conversion LUT's for every different distribution medium i.e. REC709, DCP, sRGB (internet), SD NTSC, SD PAL etc. In this way you grade once with the aesthetics of Film embedded to your image and you delivering to any target you want... you can even do a real Filmout with exceptional results...
You can select our collaboration level from student, DIT all the way up to full DI house...
Or you can use the generic LUTs to do it fast...
http://www.motionfx.gr/film-overview.html