I am producing a 22min guy-comedy-drama ensemble short that I Co-Wrote, and will Direct and Edit. We have excellent Score artists and access to quite a bit of music from signed artists. I will also mix it in post, record the ADR in my booth and do the sound design. Anyway, if you want to get the full details for the Audio in the production and post-production, just look at this thread where I break down not only the Audio but also the Camera Electric and Grip aspects and details: http://www.dvxuser.com/V6/showthread.php?t=136709
We will shop it around to complete it or re-shoot it as a Feature.
NEED BOOM OP:
This is the last position left in the crew. We have have scheduling conflicts with the original Boom Op, so we are looking for someone with at least some good experience to replace him. I have all of the sound gear needed.
PROJECT:
For those who won't read the other more detailed thread here is a bit on the project.
My DP, Garrett Benson, is experienced and will bring some high end gear, all lights we will need on top of mine and enough grip gear to match. We will have more than we will need to paint the look we are going for on top of a healthy exposure for the HVX + SGpro R3 + best Nikons in every single scenes.
The camera dept. will use a Carrion on the camera and my DP is bringing me a 24" monitor for us to share. Though he hasn't seen how amazing the Carrion really is and he'll likely come over to the big one not so often. I also plan to ask to share Carrion with him quite a bit.
We'll be using a 24mm f2.0, a 35mm f1.4, 50mm f1.4, 85mm 2.0 and one 80mm - 200mm f2.8 for some inserts of surfers in the water.
We will 90% likely have a Steady Camera Op from the biggest of the big TV shows for one of the movie segments. And we will be using my Rowe skate-board dolly and a 6" - 12" jib.
I also have all of the equipment necessary for both positions. Boom, XLR cables, Mixer, two pairs of Headphones, AT7043a shotgun, MK-012a Hypercardioid, K-Tek Zeppelin, and K-GPS shock mount. Also, we have all of the camera gear and monitors.
And finally, the crew will consist of ten (10) people, Garrett as DP, he is also bringing his own Camera Op, three Electricians, three Grips, then CordVision as DIT and 2nd AC and finally I will Direct and coach the talent. Garrett will likely pull focus.
We will shop it around to complete it or re-shoot it as a Feature.
NEED BOOM OP:
This is the last position left in the crew. We have have scheduling conflicts with the original Boom Op, so we are looking for someone with at least some good experience to replace him. I have all of the sound gear needed.
PROJECT:
For those who won't read the other more detailed thread here is a bit on the project.
My DP, Garrett Benson, is experienced and will bring some high end gear, all lights we will need on top of mine and enough grip gear to match. We will have more than we will need to paint the look we are going for on top of a healthy exposure for the HVX + SGpro R3 + best Nikons in every single scenes.
The camera dept. will use a Carrion on the camera and my DP is bringing me a 24" monitor for us to share. Though he hasn't seen how amazing the Carrion really is and he'll likely come over to the big one not so often. I also plan to ask to share Carrion with him quite a bit.
We'll be using a 24mm f2.0, a 35mm f1.4, 50mm f1.4, 85mm 2.0 and one 80mm - 200mm f2.8 for some inserts of surfers in the water.
We will 90% likely have a Steady Camera Op from the biggest of the big TV shows for one of the movie segments. And we will be using my Rowe skate-board dolly and a 6" - 12" jib.
I also have all of the equipment necessary for both positions. Boom, XLR cables, Mixer, two pairs of Headphones, AT7043a shotgun, MK-012a Hypercardioid, K-Tek Zeppelin, and K-GPS shock mount. Also, we have all of the camera gear and monitors.
And finally, the crew will consist of ten (10) people, Garrett as DP, he is also bringing his own Camera Op, three Electricians, three Grips, then CordVision as DIT and 2nd AC and finally I will Direct and coach the talent. Garrett will likely pull focus.