Hugh DiMauro
Well-known member
I'm looking forward to hearing from folks with real world experience concerning the use of location monitors in conjunction with their HVX/HPX cameras not just for critical focus but to properly light and expose their scenes.
I no longer want to use my ON LOCATION (formerly DV RACK) software not only because of the inconvenience of it's inability to recognize my camera's native settings but also because of the inconvenience of lugging around my laptop.
So, has anybody ever used an HD/Standard def monitor just as a loose reference and relied solely on the HVX/HPX's waveform monitor to balance lighting levels with satisfactory results?
I ask because I used to solely rely on my DV RACK WYSIWYG monitor and was almost guaranteed that what I saw in that monitor was what I captured on tape.
I no longer want to use my ON LOCATION (formerly DV RACK) software not only because of the inconvenience of it's inability to recognize my camera's native settings but also because of the inconvenience of lugging around my laptop.
So, has anybody ever used an HD/Standard def monitor just as a loose reference and relied solely on the HVX/HPX's waveform monitor to balance lighting levels with satisfactory results?
I ask because I used to solely rely on my DV RACK WYSIWYG monitor and was almost guaranteed that what I saw in that monitor was what I captured on tape.