dillont
Well-known member
Hi folks,
Been playing with the AF100 at work a lot this past week. Lots of play with light, shadow, and fog.
I think I"m noticing some of the banding issues that some of you have seen. Some of my non scientifgic testing has me thinking the banding happens mostly in the blue channel. As the yellow and purple/red scenes don't exhibit the banding. Any ideas on how to eliminate this in the blue? Or is it just an exposure thing?
http://vimeo.com/20045162
Would love to hear your thoughts.
Vimeo is still processing the HQ video, so I'll put the youtube link here too:
http://www.youtube.com/watch?v=gq74vSSmWRs
Scene File settings:
Lens: Lumix 14-140 Generally f4-9
ISO 400
Scene file settings:
Film cam (some VFR)
Detail -5
V Detail -5
Detail coring +2
Chroma Levfel -3
Chomra Phase 0
Color Temp Ach / Bch 0
Master Ped -2
Iris Level 0
DRS OFF
Gamma - Cine Like V
Matrix Norm2
Skin Tone DTL Off
"candle shot" was filmed with a Canon EF 50mm prime full open.
Been playing with the AF100 at work a lot this past week. Lots of play with light, shadow, and fog.
I think I"m noticing some of the banding issues that some of you have seen. Some of my non scientifgic testing has me thinking the banding happens mostly in the blue channel. As the yellow and purple/red scenes don't exhibit the banding. Any ideas on how to eliminate this in the blue? Or is it just an exposure thing?
http://vimeo.com/20045162
Would love to hear your thoughts.
Vimeo is still processing the HQ video, so I'll put the youtube link here too:
http://www.youtube.com/watch?v=gq74vSSmWRs
Scene File settings:
Lens: Lumix 14-140 Generally f4-9
ISO 400
Scene file settings:
Film cam (some VFR)
Detail -5
V Detail -5
Detail coring +2
Chroma Levfel -3
Chomra Phase 0
Color Temp Ach / Bch 0
Master Ped -2
Iris Level 0
DRS OFF
Gamma - Cine Like V
Matrix Norm2
Skin Tone DTL Off
"candle shot" was filmed with a Canon EF 50mm prime full open.
Last edited: