last time I swear, 24p/24p advanced

[jhorton2003]

I promise I read through the forum. I'm not being lazy here. Most of the time this question is awnsered in favor of DVD or video out.

I have a feature shot on the dvx. There were two dp's. one shot 24p standard, one shot 24p advanced.

They want to deliver on film.
What would be the best workflow? We'd be using final cut 5.

thanks

 

[ecarr]

the way i understand it, if all the footage is 24p, it makes no difference. you only have to worry about it if you're mixing 24p and 60i, then you don't want advanced, but i think you're cool to use a normal 24p timeline and regular workflow.

 

[novelt]

how are you going to transfer the 24p standard to film? i know advanced you have full frames, but in standard it's all interlaced so you'll have to deinterlace and lose some resolution. then again if you have something that can do it and keep the image looking good then okay.