So I got off my ass and made a short. I've only shown it to one other person which means that I've had no real feedback. I have no clue as to whether I'm waaay off base or riiight on track...probably the former.
Please feel free to rip it to shreds or take a few minutes to give me some honest to goodness feedback. I have a list of flaws that are a mile long, but I've lost perspective so I don't know what is real or not. It just can't be healthy to look at the same footage over and over and over....
A few notes:
- I had never seen a script, created a story board, held auditions, or used a decent camera or lights until September of '05. Never ever and you can tell. I was a "well, I read the book" type of a filmmaker and that doesn't get you very far.
- Besure to shoot all the shots in every scene, otherwise you'll find big holes when you get to post production. If you find yourself in this position, don't give up...be creative and make it work. Keep on polishing that turd!
- A 9 dollar Wal-Mart battery powered florescent camping light can be converted to a decent interior car light. In fact, it makes some damn good soft light.
- Setup and test. Test your ass off, see my next bullet below.
- The DVX100 in 24pa mode disables the gain switch, however the DVX100a in 24pa mode enables the gain switch. Shooting at night, with the iris open real wide, in 24pa mode, with the gain jacked way up makes for some fuxed up footage! Duuurrr. Check the gain you asshole.
- Color Correction - Heh, what is that? Seriously, one day I'll know enough to do a little CC (btw, can you fix jacked up gain with CC?)
- Care and feeding of your actors. Scrape up the cash to pay your actors a little $$$ because it will put you in a position of power. "Hey, I'm paying you, so you have to be here.". Even if it is only 10 bucks, it makes a difference. Also work with eager actors. Most eager actors will work for free, pay them a little and they will bend over backwards for you. Trust me on this, it is less hassle to find and pay an eager actor a few bucks than beg your whining friend with his "I don't want to be here" camera face to show up to the set on time. Plus your product will just feel better.
- Your crew. You can do it all by yourself if you want, but why not get some help? Here is how I put mine together. We made a deal, I would help them if they would help me. I was on 2 shoots over 6 days in order to full fill my obligation to my two crew members as they shot their own films. They helped me, I helped them. Plus I learned a lot from being on their shoots.
After you download the movie (pick the big h264 or the smaller h263) let me know if you can't play the film or if it is slow. I'll need to addresses either or both problem(s).
The total length is 3:41.
edit: I have some daytime location pics, some pics of my ghetto car light kit, and a few behind the scenes shots.
-> http://www.rm-fr.com/twosurprises/behind_the_scenes/index.html
Enjoy:
-> http://rm-fr.com/twosurprises/TwoSur...40.500kbps.mov (36mb)
-mb
(edit: a much smaller file has been posted and linked)
Please feel free to rip it to shreds or take a few minutes to give me some honest to goodness feedback. I have a list of flaws that are a mile long, but I've lost perspective so I don't know what is real or not. It just can't be healthy to look at the same footage over and over and over....
A few notes:
- I had never seen a script, created a story board, held auditions, or used a decent camera or lights until September of '05. Never ever and you can tell. I was a "well, I read the book" type of a filmmaker and that doesn't get you very far.
- Besure to shoot all the shots in every scene, otherwise you'll find big holes when you get to post production. If you find yourself in this position, don't give up...be creative and make it work. Keep on polishing that turd!
- A 9 dollar Wal-Mart battery powered florescent camping light can be converted to a decent interior car light. In fact, it makes some damn good soft light.
- Setup and test. Test your ass off, see my next bullet below.
- The DVX100 in 24pa mode disables the gain switch, however the DVX100a in 24pa mode enables the gain switch. Shooting at night, with the iris open real wide, in 24pa mode, with the gain jacked way up makes for some fuxed up footage! Duuurrr. Check the gain you asshole.
- Color Correction - Heh, what is that? Seriously, one day I'll know enough to do a little CC (btw, can you fix jacked up gain with CC?)
- Care and feeding of your actors. Scrape up the cash to pay your actors a little $$$ because it will put you in a position of power. "Hey, I'm paying you, so you have to be here.". Even if it is only 10 bucks, it makes a difference. Also work with eager actors. Most eager actors will work for free, pay them a little and they will bend over backwards for you. Trust me on this, it is less hassle to find and pay an eager actor a few bucks than beg your whining friend with his "I don't want to be here" camera face to show up to the set on time. Plus your product will just feel better.
- Your crew. You can do it all by yourself if you want, but why not get some help? Here is how I put mine together. We made a deal, I would help them if they would help me. I was on 2 shoots over 6 days in order to full fill my obligation to my two crew members as they shot their own films. They helped me, I helped them. Plus I learned a lot from being on their shoots.
After you download the movie (pick the big h264 or the smaller h263) let me know if you can't play the film or if it is slow. I'll need to addresses either or both problem(s).
The total length is 3:41.
edit: I have some daytime location pics, some pics of my ghetto car light kit, and a few behind the scenes shots.
-> http://www.rm-fr.com/twosurprises/behind_the_scenes/index.html
Enjoy:
-> http://rm-fr.com/twosurprises/TwoSur...40.500kbps.mov (36mb)
-mb
(edit: a much smaller file has been posted and linked)