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Instant reaction to this comment? Where's the 'like' button? Haha!Turn around... over here... I ain't afraid of no man... what the hell are you...
Sony F35 by sharisent, on FlickrDespite the DR specs...? The specs show it's quite a step ahead the red MX sensor.
There are pics of the camera without the SR deck if you go back in this thread. And I'm also working on making it smaller by removing the XLR inputs module. That would reduce its size by an extra 20%.![]()
If I´m not mistaken, that´s the same test used for this chart, right?
View attachment 58087
This kind of illustrates my point. It´s not how much DR you have, it´s where you have it (I still take these tests with caution, there are too many things I didn't agree with when I watched them).
According to the SCCE, the F35 clocked in at 11.3 stops of dynamic range, and the F3 (withOUT S-Log) clocked in at 11.2. So I would expect that you're right, the SLog'd F3 would definitely have more DR than the F35.
As compared to an F3, the F35 is definitely quite a bit higher res; the SCCE clocked it at 680 lines, the F3 at 540. But nowhere near what the Red MX showed, which was 1080 lines.
Numbers and comparisons taken from this article.
Greetings from Panama...
Yes, absolutely! =)Yeah well, some film stock is not much wider in terms of DR than RED MX, but heck it looks so much better, doesn't it? It's the combination of where the DR is, the tone curve, and the colorimetry.
Greetings from Panama...
lolOh, did I say it does Timelapses too? lol
You have an awesome sense of humor, and mean visual talent. I hate not being you sometimes.Here you go, some more footage. I couldn't avoid the Thin red line soundtrack... :cheesy: