Randall_Oelerich
Veteran
If you cut the distance from the mic to the actor in half, I thought that the signal picked up by the mic quadruples, not just doubles. Am I wrong?
I started watching the DVD Sound for Film and Television by Barry Green and David Jimerson with Matt Gettemeir, and in their DVD section on the inverse square law they say that cutting distance in half doubles the sound picked up by the actor--which to me seems to ignore the key word "square" in the inverse square law, where intensity of the sound (or light) is proportional to the inverse of the square of the distance. Intensity = 1/(d*d), so if new distance is 1/2 original distance, the new intensity should be
new intensity of sound = 1/[(1/2)(1/2)] = 1/(1/4) = 4, viz quadrupling not just a doubling.
~randall
I started watching the DVD Sound for Film and Television by Barry Green and David Jimerson with Matt Gettemeir, and in their DVD section on the inverse square law they say that cutting distance in half doubles the sound picked up by the actor--which to me seems to ignore the key word "square" in the inverse square law, where intensity of the sound (or light) is proportional to the inverse of the square of the distance. Intensity = 1/(d*d), so if new distance is 1/2 original distance, the new intensity should be
new intensity of sound = 1/[(1/2)(1/2)] = 1/(1/4) = 4, viz quadrupling not just a doubling.
~randall