Michael Carter
Veteran
There seems to be, basically, 2 motivators for any sort of creative work (and I'm sure many creative types have a combination of both to varying degrees):
1) Aggrandization
(The act of aggrandizing, or the state of being aggrandized or exalted in power, rank, honor, or wealth; exaltation; enlargement.)
2) The absolutely desperate, burning need to create something in a given media.
I'm sure motivator #1 has produced some solid work. I'm also pretty sure that #2 is more likely to produce beautiful & affecting work.
if #1 is more of your motivator, you probably need to figure out which path gets you there.
If #2, then start writing. Stop posting "ideas" and start fleshing out the ideas you think are good. Write every day. Leave space in your outlines and plans for creativity to come in, let the characters or events take over, and get good at your craft. Find people who do smart, solid work you respect and respond too (and not just writers - anyone who does work that affects you) and get their take on your drafts.
And consider writing not just screenplays, but short stories, novels and poetry - screenplays really don't force you to dig into describing emotions and events in affecting ways.
1) Aggrandization
(The act of aggrandizing, or the state of being aggrandized or exalted in power, rank, honor, or wealth; exaltation; enlargement.)
2) The absolutely desperate, burning need to create something in a given media.
I'm sure motivator #1 has produced some solid work. I'm also pretty sure that #2 is more likely to produce beautiful & affecting work.
if #1 is more of your motivator, you probably need to figure out which path gets you there.
If #2, then start writing. Stop posting "ideas" and start fleshing out the ideas you think are good. Write every day. Leave space in your outlines and plans for creativity to come in, let the characters or events take over, and get good at your craft. Find people who do smart, solid work you respect and respond too (and not just writers - anyone who does work that affects you) and get their take on your drafts.
And consider writing not just screenplays, but short stories, novels and poetry - screenplays really don't force you to dig into describing emotions and events in affecting ways.