JonathanLB
Carbonite Member
Not sure why this thread is in the HVX section, but...
I've used the indie dolly twice now, so I can assure you it is a piece of crap.
*It is the most confusing thing to build. Without a manual, it will take two intelligent people no less than 45 minutes to assemble.
*The track sections come apart. Unless I am missing something, there really is next to nothing to prevent the tracks from separating.
*Forget about riding it. It is not built to withstand a human operator. The only stable way I have found to operate it is by having the camera operator walk along side of the dolly and push the dolly with the tripod head.
To be fair, I am used to using real dollies. I understand that the Indie Dolly inexpensive, and meant for low-budget productions, but that in itself doesn't make it any good.
The Indie Dolly is excellent, maybe your definition of two intelligent people is different from mine. I don't consider people who watch NASCAR and drink Milwaukee's Best to be intelligent
I kid, I kid. But all joking aside, the Indie Dolly is excellent. I've used "real" dollies, I think they are pretty crappy to be honest, hulky, don't do anything more than the Indie Dolly does, basically inconvenient from every perspective. I can setup the Indie Dolly myself in ten minutes, no problem. And the price is a great bonus, too.
The Fisher dolly is supposed to be so great, but these idiots act like their dolly is worth more than my car. It's a joke. A Chapman dolly is supposed to be like $60,000 or something? Are you kidding me? I could have that same POS built in China for $800 tops. It's not that impressive. I prefer easier to setup, easier to transport dollies.
Also as a sidenote every time I've seen someone use one of the big, pro dollies they haven't been able to get a stable enough shot and ended up basically using the dolly as a glorified tripod. We were on a Cybill Shepherd shoot and they were all worried about the dolly not being stable enough -- inside of a studio. It was a piece of crap, to be honest. My Indie Dolly could have gotten that shot in five minutes. There's also the fact the DP was so old he didn't understand the basics of post-production -- who cares if your image isn't perfectly steady, it's called MOTION, you can stabilize that shot and maintain 95% of the image in like 2 minutes, and they were shooting on the F900 for TV, nobody is going to notice that 5%. Sheesh, n00bs I swear.
Last edited: