Tim Naylor
Veteran
Barry, you could always add some weights to the ex1 and pretend it's a heavy cam. I really don't see your point here.
Barry's assessment with the EX1 is pretty spot on. I understand his reasoning with RED. Taking that logic, put your EX1 on a good set of sticks or a more stable hand held rig. You have one extreme, Philip Bloom style, mostly static on sticks or you got Born Supremacy at the other extreme. The former is ideal for CMOS and the latter, well get another camera. As much as people say RED is a feature camera, it's in the frenetic hand held field that's still in vogue in many a feature that it may show its CMOS weaknesses. At the end of the day it still comes down to right tool for the right gig and at the under 20G crowd, your one camera may be like a leatherman - has everything but is not great at any.
Concerning the word "pro" it's means you get paid for your craft and your craft excels in terms of technique and conduct (you're never late and know what you're doing, do it fast, all the while maintaining your cool). When you get paid but don't know your craft, you're a hack. If you know your craft but don't get paid, you say "yes" far too often or have a trust fund. In any case, if you're going to use the EX1 know where it shines and where it doesn't. Don't get caught with magnetics or picket fences on your pans. And don't say, "nobody told me". Because nobody cares why you couldn't deliver. But will give you high hosannas if you did your homework.
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