HVX200 vs. XD CAM HD

Okay, enough.

eLeventy, I have to take you up on some of these points you have made. I'm not having a go at you, but some of the points you made are ill informed.

First point, decks. You do not need a deck for XDCAM. The camera works just fine as a deck. Also Sony are bringing out inexpensive XDCAM drives that fit into the CD ROM bays of a computer very soon. No need for decks. I don't use a deck. No point. Okay, for ultimate convenience it would be nice. But I can get by without for now.

Native MXF handling. Vegas 6c handles both DVCAM and IMX MPEG MXF files natively. Avid handles MXF, Pinnacle handles MXF, Edius and FCP handle MXF (with add ons), XPRI handles MXF. In fact many others do too. And don't for one moment think P2 is any different. You have to purchase the same add on for FCP( Flip4Mac) to be able to get FCP to handle P2 MXF files as you do for XDCAM. FCP just comes with a DVCPRO50 and HD codec, but NOT native MXF handling.

I wrote an article about the various NLE's MXF compatibility here;
http://www.sonybiz.net/images/product/X/XDCAM_Showreel_05.pdf

FYI this magazine was produced independently of Sony for Newsreel Magazine despite the impression it gives.

XPRI. Not the best, particularly as it only handles IMX MXF files. Avid is the best MXF handler by far.

Now for HD XDCAM the F330 is aimed at the industrial sector. Future XDCAM HD variations will have a much higher datarate. There is also the possibilty of simultaneously recording to a solid state card and the disc. Sony are apparently working on such a device at the moment. This would give the best of both worlds. A full archive of the footage onto the disc as per normal XDCAM, and fast storage on solid state for those that want to shell out a bit more for speed. Restricting things to solid state or nothing is not a good way to approach things IMHO. For my money, despite the slower speed than P2, XD is much, much, more practical in overall use. But that's just me, don't flame me for it.

To say that XDCAM will never have the high data rates needed for higher end HD is a bit silly you have to admit, because that assumes that no advances in development will be made ever again.. Remember, Panasonic said that disc based storage wasn't reliable. But even they had to admit Sony did damn well at proving them wrong. So far I haven't heard of a single XDCAM unit dropping frames or otherwise. I can vouch for that personally, The cameras recording mech is as solid as a rock.

I use XDCAM every day. And it is true that the transfer speed can be annoying with long clips. BUT the key is the workflow and how you implement it. The fact is that footage ingest and preview is a doddle, and is a pleasurable experience unlike normal firewire transfer. With P2 I can imagine you have to transfer all the footage anyway most of the time due to having to offload it constantly. XDCAM on the other hand still keeps some of the workflow of tape, such as footage logging (if you need to), but just makes the process much more convenient.

Look upon the systems like this;

P2 is a totally new workflow and is completely non linear. Its like using a digital stills camera.

XDCAM is like a tape based system on steroids. Its video file structure is actually linear, but the footage transfer to the computer and footage browsing is non linear . XDCAM is halfway between tape and total non linearity. This I believe is because if XDCAM had a totally non linear file structure the laser would be inefficient at being able to record to a fragmented disc if odd files had been deleted here and there. In a way this is a big disadvantage for the disc based storage. But on the other hand XD has advantages in other areas that P2 does not. Apples and Oranges really. Depends on your workflow needs.

I see P2 as the two seater Ferrari (sorry another car analogy), while XDCAM is the people carrier.

I find the proxies to be very useful indeed for fast preview. And in fact a recent project I worked on involved me being stuck out in the middle of the Welsh mountains miles away from what most people would term 'civilisation'. I assemble edited the project on a really cheap low powered laptop in the evenings using PDZ-1 and saved the cliplists back to the camera. By the time I got back to base I merely had to tidy up the edit. This applies equally to P2 as it does for XDCAM. You can be out in the wilderness somewhere and create a rough edit or group the clips how you would like with the proxy files on a very low grade laptop indeed. No need for high powered hardware. I'm sure that Jan will back me up on this with Panasonics own proprietry P2 proxy manager software which is also freely downloadable. With P2 you might have to store the high res footage onto an external drive. But if you copy the proxy files too you won't need a powerhouse of a laptop in order to actually start editing.

I had to chime in with my big XD mouth as there is a lot of opinion being bandied about. I believe P2 and XDCAM are suited for different things. I happen to feel that XDCAM is more practical over all for MY needs. Not necceserily yours, but mine. The only way you will know is to try them out. Until solid state becomes really cheap, the choice between whether to buy XDCAM or P2 will be a matter of your workflow requirements and NOT whether one system is 'better' than the other based on transfer rate figures etc. Transfer rate figures do not tell the whole story.

Will I buy an F330? I hope to test one very soon. But I'm waiting on the 2/3" variation. I've spent enough this year!
 
I do believe FCP includes P2 support in it's newest version, FCP 5.

From Apple's webpage: "Capture and output video frames accurately using professional decks, or go tapeless with built-in Panasonic P2 media support. o View and browse P2 devices, then transfer the files you need directly into the Final Cut Pro 5 Browser."
 
Oops, my bad.

Though FCP still doesn't place the MXF straight onto the timeline. It converts it to a format that the editor can use.
 
Simon Wyndham said:
I see P2 as the two seater Ferrari (sorry another car analogy), while XDCAM is the people carrier.

ha!!! get on the Sony XDCAM bus!

this is actually funny if you saw the Sony XDCAM presentation at NAB. they had some young hip film maker kid getting on & off the XDCAM bus showing how it was going to revolutionize content acquisition from SD to HD and beyond or something like that.
 
Simon Wyndham said:
No need for decks. I don't use a deck. No point. Okay, for ultimate convenience it would be nice. But I can get by without for now.
As we're looking into buying about 20 XDcam's or Pana's, and in our field( news), we need decks, it adds up to the total amount, and has to be taken into consideration. But that's indeed just our case.


Native MXF handling...
At the moment we're testing workflow with Avid for the Panasonic, the Sony, and the Ikegami. Ikegami works the best, it uses native Avid OMF, and the HDD's work like a dream. Panasonic uses the same flavour of MXF as Avid, so can be mounted as a native media drive. There is however still a lot of work to be done by Avid and/or Pana to get it working smoothly. Sony uses a different flavour of MXF ( OP-1A) which prevents it from being used as a native media drive. Importing of proxies works very fine for fiction, but for news, it's slow( suppose you have 3 disks with media, pop in every disk for proxy import, edit the story, then pop in the 3 disks again for High-rez conforming. You only have 20 minutes from start to finish, including the actual editing, and voice-over recording). But again, that's news-only. For finction or longterm projects I can see the advantages of XDcam.

For my money, despite the slower speed than P2, XD is much, much, more practical in overall use. But that's just me, don't flame me for it.
I agree, in overall use, XDCam is ( still) more practical. With the SPX800, Panasonic made a camera specially geared toward news.
To say that XDCAM will never have the high data rates needed for higher end HD is a bit silly you have to admit, because that assumes that no advances in development will be made ever again..
If you read my post again, you'll notice " ... in it's current form...". Sony states that future enhancements of the XDCam format will ( probably) include multiple layers( for higher capacity) and multiple heads( for higher writing speeds) to support full HD. This means however that your current hardware is not future proof: you can't use your current deck for future HD playout or recording. This is one advantage for the P2; it still has a lot of 'headroom' in it's current hardware design.

Remember, Panasonic said that disc based storage wasn't reliable. But even they had to admit Sony did damn well at proving them wrong. So far I haven't heard of a single XDCAM unit dropping frames or otherwise. I can vouch for that personally, The cameras recording mech is as solid as a rock.
No problems here. I've found only 3 reports of recording problems for XDCam, which is 'quantité négligable', and they've been fixed by firmware upgrades. My main problem with the XDcam is power consumption: 39W compared to 24W or 17W for the Pana.
I see P2 as the two seater Ferrari (sorry another car analogy), while XDCAM is the people carrier. I had to chime in with my big XD mouth as there is a lot of opinion being bandied about. I believe P2 and XDCAM are suited for different things. I happen to feel that XDCAM is more practical over all for MY needs. Not necceserily yours, but mine.

Hey, no probs. In our bussiness, we need Ferrarri's, but ENG is a very specific part of the broadcasting world, where speed rules. If we go for Panasonic SPX800's, it would be nice to have a dozen or so of HVX200's as backups. To stick to the car analogies: the 200 would be the racebike complementing the Ferrarri. However, if I was a freelancer doing lots of different types of work, I'd be looking at the Sony also, being a MPV.

The HVX200 forums are fun for observing people from all kinds of work trying to adapt their work to new technologies, or adapting new technologies to their work.
 
eLeventy said:
As we're looking into buying about 20 XDcam's or Pana's, and in our field( news), we need decks

Yes, for a bigger organisation decks would be needed. Although don't forget the XDCAM CD-ROM sized drive that should be released soon.

eLeventy said:
At the moment we're testing workflow with Avid for the Panasonic, the Sony, and the Ikegami. Ikegami works the best,

The Ikegami is indeed a good looking system, and I can imagine that the ability to record using the DNxHD codec must be superb. Only problem with the Ike's is that there are a few people over on the B-roll boards that have used them and suffered system crashes. Hopefully a firmware update will solve that. Although one guy encountered a full blown hard drive crash when he was shooting one of the recent hurricanes. But then that would be an extreme environment to be in.

I think the best thing at the moment would be for a camera to record solid state AND to optical disc to get the best of both worlds.

eLeventy said:
be done by Avid and/or Pana to get it working smoothly. Sony uses a different flavour of MXF ( OP-1A) which prevents it from being used as a native media drive. Importing of

Can you clarify what you mean by 'media drive'? AFAIK Avid works with XDCAM using the FAM connection whereby the XDCAM camera or deck acts like any other drive on the system. Not a good idea to edit from it due to the speed, but it should act like another drive. I have heard great things about Avid and its XDCAM capability. When they first released it it was a bit on the slow side. But they have apparently sped it up a lot since then,

eLeventy said:
proxies works very fine for fiction, but for news, it's slow( suppose you have 3 disks with media, pop in every disk for proxy import, edit the story, then pop in the 3 disks again

Hmmm. I'm not sure many fast break news stories would get through 3 discs. Especially in DVCAM mode whereby 85 mins can be recorded. But then I don't work news so maybe I don't know?

The proxies are more for field work rather than for editing on the full blown editing station. Although if an NLE could ingest the proxies, and get you started on the edit while conforming in the background transparently (as XPRI is supposed to do) it would be good.

eLeventy said:
current hardware is not future proof: you can't use your current deck for future HD playout or recording. This is one advantage for the P2; it still has a lot of 'headroom' in it's current hardware design.

I think that would be the case if the HD variations use multiple layers and the discs increase in capacity a lot. But I don't know what the current drives can read and what they cant. What needs to be remembered is that although the existing XDCAM hardware will not stream out HD, they should be able to read the discs. For example if someone recorded something on the new HD XDCAM F330 and gave me the disc, I could still put it into my existing camera and copy the files over to my editing PC using the FAM connection. I couldn't play the footage from the camera, but I could access the video files. Its the same with IMX. You can read and copy the files from an IMX formatted disc on the 510, just not play out the IMX stream.

Now it is surprising just how much extra stuff they built in provision for in the existing SD line of cameras. For example the mention of them developing a solid state device that plugs into the adaptor port where the Ethernet card and wireless mic receiver usually plug in. But I do not know what provision for future disc developments they built into the current optical drive for extra disc capacity for example.


eLeventy said:
My main problem with the XDcam is power consumption: 39W compared to 24W or 17W for the Pana.

Yes, the XD's do like to drink power. Although my colleague has had very good success with SWIT batteries. They aren't a huge amount different in weight to my Dionic 90's, yet he quite happily runs a whole day on them without turning the camera off! He was amazed once when one of them ran out of power and he had to charge it up. He' d only been using it for 4 days :thumbsup:


eLeventy said:
Hey, no probs. In our bussiness, we need Ferrarri's, but ENG is a very specific part of the broadcasting world, where speed rules. If we go for Panasonic SPX800's,

Absolutely. Everyone needs to try out the different systems for themselves. :cheesy:
 
Can anyone add any further illumination to the proposed HVX200 with 2/3 chip discussion? Very curious. Any dates etc?
 
Probably not for at least six months. I think they said basically mid-2006, although I'm trying to remember that from last April's NAB presentation.
 
jamestmather said:
Can anyone add any further illumination to the proposed HVX200 with 2/3 chip discussion? Very curious. Any dates etc?
Although not an answer to your question, when I asked Jan about Panasonic introducing any other 1/2" or 2/3" product other than this "HVX-like 2/3" shoulder-mount," she said to me at RESfest Los Angeles (when was that, early October now?) that, "Panasonic will introduce no other camera [other than that "HVX-like 2/3" shoulder-mount"] by this time next year.

My GUESS is, is that typically, new cameras that may be announced at NAB may start shipping by mid- to late-summer or even in the fall of that year's NAB.
 
jamestmather said:
Thanks for that - Very interesting. Might even be worth waiting for.
I'm only waiting for a projected price. If the 2/3" Panasonic shoulder-mount camera is upwards of $30K with glass and memory (which I'm guessing pretty hard that it will be), I'm definitely out of the game. If the 1/2" Sony PDW-F330 XDCAM HD is just a HAIR over $20K, I'm in. If the PDW-F330 is over $25K, then I'll buy my standard-def, DSR450WSL with a Fuji 20:1, all for only $16,300, and be goddamned happy about it.
 
And NOT knowing ANY of these prices is friggin' KILLING me! I am DYING to start shooting my sci-fi short on my "new" camera! I have the money for the DSR450WSL just burning a hole in my pocket! The Sony PDW-F330 MAY actually price out at a street price at something like $21,900 with glass--who knows?
 
Yep - probably a year away at any rate if the protracted development of the HVX is anything to go by. Good luck on your sci fi short NBCshooter.
 
Yup, my DSR450 is only $16,306.70 out the door including shipping and a used Fuji 20:1!!!!!! Can't wait . . . can't wait . . . can't wait . . . can't wait . . . can't wait . . . any longer! AGHHGHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!
 
HOLY ****, James!!! I just watched your trailer! HOLY ****, that looks ****ing incredible!!! I think I'll just give up on filmmaking and become a farmer or something now. By the way, what did you shoot that on?

Oh, just looked at the behind the scenes commentary, 16mm. All that work! Sure looks great! Excellent design and cinematography! Great work, James!
 
jamestmather said:
Yep - probably a year away at any rate if the protracted development of the HVX is anything to go by. Good luck on your sci fi short NBCshooter.

Feck James! That's the Bullocks!

Awesome work.

Steve
 
Thanks a million for the feedback - we shot on super 16 and did all the post in after effects and 3d max - it was a gruelling four months. You can watch the whole 15 min movie here:

http://www.jonny3d.com/html/__main.htm

Go to Mpegs and then prey alone download (I really recommend loading it off the Hires version (115megs) but prepare to wait a while).

Nice feedback & very much appreciated.

James
 
Simon Wyndham said:
The Ikegami is indeed a good looking system,
The main problem with the Ikegami that pops up is a gruelling 17sec startup time. A battery change takes 22secs! For EFP, I can live with that, but for ENG, thats a big nono. Compared to 2 secs for Pana/Sony


Can you clarify what you mean by 'media drive'? AFAIK Avid works with XDCAM using the FAM connection whereby the XDCAM camera or deck acts like any other drive on the system.
Ikegami and Pana are mounted as a local drives, and have the speed to match. That means you can use your media as if you've ingested all your clips to your normal drive. Sony is a networked drive, speed is on the slow side, and the file format is not 100% compatible with Avid, wich means converting/transcoding. Result: ingesting. Although faster than realtime ( 2.5x apparantly in Avid), if you can skip this stage, it's a big plus for speed.

To be fair, at the moment we're testing the Ikegami and Pana's. The Sony's are comming in in 2 weeks, so we'll know more then.


Hmmm. I'm not sure many fast break news stories would get through 3 discs. Especially in DVCAM mode whereby 85 mins can be recorded. But then I don't work news so maybe I don't know?
We eat through a lot of tapes, but most of them are used for the first 5 to 10 minutes only or so. Often, after the first five minutes, the journalist gets nervous, and we start editing the first part. Later, the cameraman brings in the next part. And so on. Or 2 or 3 crews ar working on the same story from different angles.

The proxies are more for field work rather than for editing on the full blown editing station. Although if an NLE could ingest the proxies, and get you started on the edit while conforming in the background transparently (as XPRI is supposed to do) it would be good.
For field work, proxies are probably the only way to go. As you say, XPRi is supposed to conform in the background, but in our demo from Sony, it didn't work yet. Avid hasn't hinted if they will ever support hires conforming in the background in the future, but their foreground conforming of xdcam works actually better than Sony's own XPRi at the moment.


I think that would be the case if the HD variations use multiple layers and the discs increase in capacity a lot. But I don't know what the current drives can read and what they cant. What needs to be remembered is that although the existing XDCAM hardware will not stream out HD, they should be able to read the discs.
As long as they stay with the current disk format( ie, not doubling the layers), you would indeed be able to read whatever file is on it( SD/HDV/HD), as your tranfer is file-based and not image-based. Some Sony rep's did hint at doubling the layers or something like that to push the capacity. I doubt if they will be forwards compatible.
 
jamestmather said:
Can anyone add any further illumination to the proposed HVX200 with 2/3 chip discussion? Very curious. Any dates etc?

Here's my $0.2 to help, or to add to the confusion, from my discussion with a Pana salesrep at IBC:

Timing: He also hinted at mid-'06

Pricing: we had a bit of a discussion about what would the premium for builiding a HD version of the current SD 2/3" P2. Major cost is normaly the tapedrum, which is VERY expensive. As everybody here probably knows, this is ofcourse replaced by the same $2 P2 connector as is used by the SD version. What's left is a bigger CCD, and a beter codec. As they can build a complete $6K camera with that codec already in, all that's left is the CCD block. Pushing him for a pricerange, at my remark " 20% premium", he smiled, and stated "Probably less". If the current SD version is around €23K( no glass), start calculating.

But then again, Pana's salesreps have been known to be not the best informed people around. :huh:
 
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