HVX200 versus SDX900

[thisiswells]

Learning The VariCam

Learning The VariCam

it's not so much the bodies as it is paying a high-end DOP and Tech that has experience with the Varicim.

I hear a lot of concern about the various set-up options on the Varicam.

Or maybe they know someone that can give us a primer.

VariCam is pretty easy to figure out. Pick up a Goodman's Guide to the VariCam or for that matter, also pick up a Goodman's Guide to the SDX900. A very talented guy created dozens of setup files for both cameras that mimic the look of specific film/processing/telecine cominations and it's incredibly simple to load in one of those looks and immediately have something that looks cool. You could also attend a Varicamp (www.hdexpo.net) and learn about the camera from the guy who created those setup files. I went to a Varicamp and it was a blast and I learned alot about the camera.. You could probably get very good results with using only the setup files but to really get professional level instruction on how to do everything else with the camera such as framerates and post workflow, head over to a Varicamp.

Hope this helps.

 

[KnockOutFilms]

Thanks for all the info. On paper the Varicam rents for more than the sdx 900, but on a longer shoot I think I can get the prices down a bit on the Vari. I was looking into the Varicamp or I may try to do a short private lesson out of T.O. I found the Goodman's Guide info, and also the presets he recommends. I'm sure once we get in the thick of pre-production, we will get our heads around the Varicam, and in the end I may be happier that I went that way as apposed to trying to wait out the 200. The 2/3 chips and better glass will push the quality of image up several notches.

I'm general not a bleeding edge of technology kind of guy, but I am excited about the 200. In the indie world this is a major step up from DV. Just imagine hanging out a moving car getting a great shot, in HD no less. Quick setups, no tape or expensive decks to rent. Most of us already love our DVX's and it's production workflow. This camera (the 200) really allows us to keep that spirit but with a format very near full blown productions. As much as indie artists tell ourselves, "it's the art that will shine", not having to make excuses for DV will really take a load off.

Thanks for the input.

Cheers,
Chris