dariomik
Active member
Hello Everyone,
This my first post here ever - so far I've been only going through numerous threads. As fascinated as I was learning all the stuff, I never seem to have found one answer:
Is shooting in 720/24p (or pn) and broadcasting it in PAL IMPOSSIBLE or (well, only...) IMPRACTICAL?
I'm planning to finally get an HVX soon and besides the many advantages I heard, what I 'm most attracted by is the "filmic look" - related to the 24 fps. Now, that doesn't go well with the PAL's 25 fps, or does it?
On the other hand, I saw in one post (I think it was Mikko Wilson) who said there is very little difference between PAL's 25 fps and the 24 pn.
I will soon probably move back to Europe and at this point chances for me to have my stuff broadcast (while still in US) are mostly by a Polish TV (in PAL). While I am aware there's more to the film look than just 24 fps - like filters, lighting, tripod etc.), is it technically possible (through some conversion) to have 24pn broadcast in PAL?
And finally, I am planning to work on FCP 2 (currently I have Avid Liquid 7.2). How do these do in terms of PAL workflow?
So to sum up:
1. 24pn in PAL - impossible or impractical?
2. Is the difference between 24 pn and 25 pn in terms of film look worth the hassle (if possible at all)?
3. FCP2/Avid Liquid 7.2 workflow in 720/24pn/25pn?
I realize my question includes many subquestions so I will greatly appreciate any answers.
Many thanks in advance!
This my first post here ever - so far I've been only going through numerous threads. As fascinated as I was learning all the stuff, I never seem to have found one answer:
Is shooting in 720/24p (or pn) and broadcasting it in PAL IMPOSSIBLE or (well, only...) IMPRACTICAL?
I'm planning to finally get an HVX soon and besides the many advantages I heard, what I 'm most attracted by is the "filmic look" - related to the 24 fps. Now, that doesn't go well with the PAL's 25 fps, or does it?
On the other hand, I saw in one post (I think it was Mikko Wilson) who said there is very little difference between PAL's 25 fps and the 24 pn.
I will soon probably move back to Europe and at this point chances for me to have my stuff broadcast (while still in US) are mostly by a Polish TV (in PAL). While I am aware there's more to the film look than just 24 fps - like filters, lighting, tripod etc.), is it technically possible (through some conversion) to have 24pn broadcast in PAL?
And finally, I am planning to work on FCP 2 (currently I have Avid Liquid 7.2). How do these do in terms of PAL workflow?
So to sum up:
1. 24pn in PAL - impossible or impractical?
2. Is the difference between 24 pn and 25 pn in terms of film look worth the hassle (if possible at all)?
3. FCP2/Avid Liquid 7.2 workflow in 720/24pn/25pn?
I realize my question includes many subquestions so I will greatly appreciate any answers.
Many thanks in advance!