DGW
Well-known member
Here are two stills (unprocessed raw footage from the cameras) from a recent live streaming shoot I did with an HPX170 and HVX200A. The 170 was the wide angle cam and was about 50 ft. from the panel. The 200A was 15 ft. from the panel for closeups.
The settings were offset as follows:
Master Pedestal HVX +1 HPX -3
Detail Coring HVX +1 HPX +3
Color Temp HVX +1 HPX -3
Both cameras were black balanced and white balanced on the white projector screen up on stage once the spot lights were turned on.
Both cameras shot 480 60i SD to feed the encoder live for streaming and also captured to P2 simultaneously.
This was my first attempt to match these two cameras and it seemed like it worked pretty well. The 170 did show a bit deeper color when it was zoomed in closer, but for the most part it was feeding a medium shot as shown here and seems to be matched fairly well. Thought I'd share this with you all.
Criticisms and accolades always welcome !
UPDATE 5-17-10: I replaced the downloadable png files with embedded jpg files for easier comparison.
THIS SHOT IS FROM THE HPX170 - MEDIUM WIDE
THIS SHOT IS FROM THE HVX200A - CLOSEUP
The settings were offset as follows:
Master Pedestal HVX +1 HPX -3
Detail Coring HVX +1 HPX +3
Color Temp HVX +1 HPX -3
Both cameras were black balanced and white balanced on the white projector screen up on stage once the spot lights were turned on.
Both cameras shot 480 60i SD to feed the encoder live for streaming and also captured to P2 simultaneously.
This was my first attempt to match these two cameras and it seemed like it worked pretty well. The 170 did show a bit deeper color when it was zoomed in closer, but for the most part it was feeding a medium shot as shown here and seems to be matched fairly well. Thought I'd share this with you all.
Criticisms and accolades always welcome !
UPDATE 5-17-10: I replaced the downloadable png files with embedded jpg files for easier comparison.
THIS SHOT IS FROM THE HPX170 - MEDIUM WIDE
THIS SHOT IS FROM THE HVX200A - CLOSEUP
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