HPX-2000 vs. HPX-500
- Thread starter caspian00
- Start date
Flintstone
Well-known member
The 500 is more sensitive also!
The 2000 has 1280x720 CCDs and one more P2 slot. You can transfer clips between cards, and you can make subclips, so you can do something like set up a rudimentary playlist on an empty card and do a very crude edit on the spot, and uplink straight from the field. You can also switch between recording and playback modes instantly.
It doesn't have variable frame rates, but it does have 24p. AVC-Intra is going to be big.
But the 500 is more a narrative filmmaker's camera. The 2000 is much more an ENG camera.
It doesn't have variable frame rates, but it does have 24p. AVC-Intra is going to be big.
But the 500 is more a narrative filmmaker's camera. The 2000 is much more an ENG camera.
i was pretty sure the hpx2000 has 1920x1080 ccds. i thought that was the big deal, that it could shoot a cinealta like 1080P.
melvinthehermit
New member
Hey Van, for the movie IMPRINT, did you use the HPX500? Thanks.
Barry_Green
Moderator
No, the 2000 is 1280x720. The 3000 is 1920x1080.
The 2000 has many features that the 500 doesn't, including a much more extensive menu system. I think the 2000 has a 12-pole color matrix, whereas the 500 has only the "color temp" and "chroma phase" adjustments, for example.
The only thing the 500 does that the 2000 doesn't, is variable frame rates. Well, that, plus it's half the price!
The 500 appears to me to be about the same sensitivity as the 2000, but maybe 1 stop more dynamic range than the 2000. But the 2000 has a cleaner picture; less noise or better signal processing or something but it definitely looks cleaner.
The biggest thing about the 2000 is the option slot, which the 500 doesn't have. The option slot lets you use the GPS card (which will write the physical location on earth into the metadata for each shot) or the MPEG proxy card (so you can create immediate low-res proxies when recording) or, most likely, that you'd use it for the AVC-Intra codec card.
Other things are the digital super gain, for noiseless pictures in extremely low light situations, and digital zoom (I know, I know, digital zoom sounds like a consumer feature, but for news they demonstrated how it was actually very helpful; an optical doubler cuts the amount of light by 2 stops, but the "digital doubler" doesn't lose any light, it just makes the picture a tad softer/grainier. If you're out shooting a nighttime police raid or something, you may very well prefer that no-light-loss digital zoom). And the ability to pre-edit your clips, make sub-clips, prepare a playlist, and play it back seamlessly in the middle of a live report -- well, that's the kind of thing I would figure a news shooter would go ga-ga over.
The 2000 has many features that the 500 doesn't, including a much more extensive menu system. I think the 2000 has a 12-pole color matrix, whereas the 500 has only the "color temp" and "chroma phase" adjustments, for example.
The only thing the 500 does that the 2000 doesn't, is variable frame rates. Well, that, plus it's half the price!
The 500 appears to me to be about the same sensitivity as the 2000, but maybe 1 stop more dynamic range than the 2000. But the 2000 has a cleaner picture; less noise or better signal processing or something but it definitely looks cleaner.
The biggest thing about the 2000 is the option slot, which the 500 doesn't have. The option slot lets you use the GPS card (which will write the physical location on earth into the metadata for each shot) or the MPEG proxy card (so you can create immediate low-res proxies when recording) or, most likely, that you'd use it for the AVC-Intra codec card.
Other things are the digital super gain, for noiseless pictures in extremely low light situations, and digital zoom (I know, I know, digital zoom sounds like a consumer feature, but for news they demonstrated how it was actually very helpful; an optical doubler cuts the amount of light by 2 stops, but the "digital doubler" doesn't lose any light, it just makes the picture a tad softer/grainier. If you're out shooting a nighttime police raid or something, you may very well prefer that no-light-loss digital zoom). And the ability to pre-edit your clips, make sub-clips, prepare a playlist, and play it back seamlessly in the middle of a live report -- well, that's the kind of thing I would figure a news shooter would go ga-ga over.
235 Studios
Veteran
So what is the size of the CCD on the 500? I've been having trouble finding that spec ...
Barry_Green
Moderator
They don't list it by pixel dimensions, they instead list it at 620,000 pixels, so 20% denser (or so) than the HVX200.
Theres another camera?????!!!!! i only knew of the 3000..... wow... cool.
