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. 3 hours in a chair can be painful, even if the movie is good.
Try not to go epic length though. 3 hours in a chair can be painful, even if the movie is good.
Actually, it can sometimes be quite easy to write a 3 hour script, but the trick is, to know what really needs to go in, and what really needs to stay the hell out. Watching a lot of movies, it is obvious that many don't know what to leave the hell out, and cut the good stuff.Thanks! 80 mins seems cool.
Yeah i agree, i'd be pushed to write a 3 hour movie, let alone shoot and edit one. lol
Depends on who you ask. Most festivals consider 70 minutes feature length. Many distributors prefer 85 to 90 minutes. I say shoot for 80 minutes. That way you can always add longer credits and an extra scene to get the 90 min.
I always try to do 90 minutes.
-Nate
I say make the movie as long as it needs to be to tell your story. If you get a three hour flick, so what? King Kong was long, but I never once got bored and felt the need to check the time. It flew by. Same with Grindhouse. Likewise, I've seen some amazing 45 minute "shorts" that couldn't have been any longer or shorter. If you're shooting for a certain length, that's fine, but don't try to "pad out" your story to make it longer. Choose a different story.
I researched this a couple years ago, and came up with 74 minutes.
I always aim for 90 minutes -- which I think is ideal for a film. From personal experience, things always end up being longer, and here you have a whole 30 minutes to play with before it becomes "too long".
No one here has mentioned that SAG defines a feature as an 80 minute or greater film. You'll have a hard time getting SAG actors if you plan on making the movie less than 80 min.