digifruitella
Active member
I've been working for this extremely small, independent (and highly incompetent) production company for 9 months. This week, or precisely the past 24 hours have been the most depressing hours of my life not just there but in a while.
It's a startup that tries to be a production company / NEWS STUDIO which shoots everything from panels, live events, to "calling cards" - and guess what, I'm one of the two editors that has to deal with some of the most terrible footage I've seen. Yet, I do my job, fix ****, cut around and make everyone happy. I get paid. Everything is good.
But just a day ago, my "boss" who really is an editor who has been here before both myself and another guy who have been hired - came back from his "2 week" vacation. Which was the amount of time he gave me and the other editor to work on our respective "projects". Mine was an hour long conversation shot with two cameras....drum roll please....on monopods. But wait, there's more. THE ENTIRE APPROACH...of this place is to shoot on these things. Can you guess whose idea that is? Yep. You got it. THAT GUY. The "BOSS" who actually 'runs' the company is this woman baby boomer who has zero ideas or expertise in filmmaking or anything video production related. Over the past 9 months that I've been there and saw the 'meetings' and heard this guy talk. He plays her like a fiddle.
We were all - the whole team - were watching this 15 minute piece that was produced - footage of which I shoot for some sections - and at the end of it the usual "Walk towards frame / rack focus" that you so often see in News reports scene came on, which was shot by THAT GUY. And because we shoot on DSLRs, there's no follow focus, there's none of that to assist focus. It goes out of focus and the BOSS woman goes "Why is it blurry" and he goes "Camera defect" and her usual response is always "OH ok" - I look at the other editor - who's also a shooter and just shake my head. This is only an example, and I promise you I'm getting somewhere with it.
Back to our project. He says he gives us "TWO WEEKS" while he's gone to get everything finished, that means edit the two-camera interview that's an hour long which comprises of out of focus shots, Shaky footage - terrible stuff. And then I have to create a highlight reel as well.
The moment he leaves, I begin to edit - but the next day the BOSS assigns me to another project that a "correspondent" is editing, she asks me to make it more "alive". She likes what I do, because with the terrible footage I work with, I always turn it into something that competent and interesting (supplementing an interview or panel with "Ken Burns effect" montages, or proper b-roll, etc) And so I spend majority of the week (AFTER THANKSGIVING which was 4 days off from that "imaginary 2 week" deadline) to edit that project all the while I bounce around the office and help others either clean up their edits or fix footage. ALL THIS TIME I never get to work on my own project. And I asked the BOSS herself, "What about my project?" and she responds "Thats ok, I'm not worried about it" - so, you can't argue with the BOSS, then all is good. One one of the days I don't even have a workstation to work on my own project on the day that I CAN.
A DAY before THAT GUY comes back... is when I work on my project and at that point I have most of it finished, but not the highlight reel.
Guess what happens when he's back. This guy is raving mad (He is in his mid to late 20's I'd say) and he's losing his **** while talking to me "I gave you TWO WEEKS" is what he repeats while I TRY to calmly explain what exactly went down. He keeps going on and on about how he shot and edited a ton of projects with poor gear and poor editing systems and bla blah and how he KNOWS "what cutting around bad footage means". I kept myself cool and levelheaded but this dude got red in the ****ing face and started opening his mouth at me without knowing the FACTS of the past two weeks he was GONE and without letting me explain what the **** happened. Both myself and the other editor were pulled off our projects he assigned by the BOSS herself. And then they make a "production meeting" and wonder why some of the content was not pushed out.
The amount of miscommunication around that place is staggering. I don't know who I'm supposed to listen to when two people are telling me what to do and then they wonder why things take slow or one thing is not finished.
So the whole "out of focus" story earlier and above - basically, whenever he is inside the room with the BOSS one on one, I fear that she'll side with him any moment of the day because he knows how to bullshit her and manipulate her lack of knowledge about how editing works, how time consuming things are and how BAD GEAR DOES AFFECT HOW LONG OR FAST YOU EDIT when your footage is **** and unusable.
I wrote out a 4 page "Timeline of Events" while it was still fresh in my mind of the past two weeks (really, LESS than that, when you include the Thanksgiving weekend and the 2 days of the next week). I am planning on printing it out and letting them BOTH read it, but I'm hesitant.
I don't want to lose the job because some egomaniac can manipulate the boss - but at the same time I don't want to work within that environment. And I'm thinking of using that document - to prove what has happened - at the next production meeting which is happening soon. The BOSS actually likes what I do for them, but I fear this guy feels threatened by me for the quality of work I do for them with what I'm given.
Should I address how he behaved at this meeting and how none of this is my fault due to the clusterfuck of miscommunication between everyone. Or should I just concentrate on the timeline of events that resulted in mine and other editor's projects not being finished when he was back.
I feel like just letting it all out because honestly in the past 24 hours he's been a ****ing dickhead to me, on the day he was back, and today - which made me feel like total ****.
Anyone been in similar situations? or have any advice?
Thanks.
It's a startup that tries to be a production company / NEWS STUDIO which shoots everything from panels, live events, to "calling cards" - and guess what, I'm one of the two editors that has to deal with some of the most terrible footage I've seen. Yet, I do my job, fix ****, cut around and make everyone happy. I get paid. Everything is good.
But just a day ago, my "boss" who really is an editor who has been here before both myself and another guy who have been hired - came back from his "2 week" vacation. Which was the amount of time he gave me and the other editor to work on our respective "projects". Mine was an hour long conversation shot with two cameras....drum roll please....on monopods. But wait, there's more. THE ENTIRE APPROACH...of this place is to shoot on these things. Can you guess whose idea that is? Yep. You got it. THAT GUY. The "BOSS" who actually 'runs' the company is this woman baby boomer who has zero ideas or expertise in filmmaking or anything video production related. Over the past 9 months that I've been there and saw the 'meetings' and heard this guy talk. He plays her like a fiddle.
We were all - the whole team - were watching this 15 minute piece that was produced - footage of which I shoot for some sections - and at the end of it the usual "Walk towards frame / rack focus" that you so often see in News reports scene came on, which was shot by THAT GUY. And because we shoot on DSLRs, there's no follow focus, there's none of that to assist focus. It goes out of focus and the BOSS woman goes "Why is it blurry" and he goes "Camera defect" and her usual response is always "OH ok" - I look at the other editor - who's also a shooter and just shake my head. This is only an example, and I promise you I'm getting somewhere with it.
Back to our project. He says he gives us "TWO WEEKS" while he's gone to get everything finished, that means edit the two-camera interview that's an hour long which comprises of out of focus shots, Shaky footage - terrible stuff. And then I have to create a highlight reel as well.
The moment he leaves, I begin to edit - but the next day the BOSS assigns me to another project that a "correspondent" is editing, she asks me to make it more "alive". She likes what I do, because with the terrible footage I work with, I always turn it into something that competent and interesting (supplementing an interview or panel with "Ken Burns effect" montages, or proper b-roll, etc) And so I spend majority of the week (AFTER THANKSGIVING which was 4 days off from that "imaginary 2 week" deadline) to edit that project all the while I bounce around the office and help others either clean up their edits or fix footage. ALL THIS TIME I never get to work on my own project. And I asked the BOSS herself, "What about my project?" and she responds "Thats ok, I'm not worried about it" - so, you can't argue with the BOSS, then all is good. One one of the days I don't even have a workstation to work on my own project on the day that I CAN.
A DAY before THAT GUY comes back... is when I work on my project and at that point I have most of it finished, but not the highlight reel.
Guess what happens when he's back. This guy is raving mad (He is in his mid to late 20's I'd say) and he's losing his **** while talking to me "I gave you TWO WEEKS" is what he repeats while I TRY to calmly explain what exactly went down. He keeps going on and on about how he shot and edited a ton of projects with poor gear and poor editing systems and bla blah and how he KNOWS "what cutting around bad footage means". I kept myself cool and levelheaded but this dude got red in the ****ing face and started opening his mouth at me without knowing the FACTS of the past two weeks he was GONE and without letting me explain what the **** happened. Both myself and the other editor were pulled off our projects he assigned by the BOSS herself. And then they make a "production meeting" and wonder why some of the content was not pushed out.
The amount of miscommunication around that place is staggering. I don't know who I'm supposed to listen to when two people are telling me what to do and then they wonder why things take slow or one thing is not finished.
So the whole "out of focus" story earlier and above - basically, whenever he is inside the room with the BOSS one on one, I fear that she'll side with him any moment of the day because he knows how to bullshit her and manipulate her lack of knowledge about how editing works, how time consuming things are and how BAD GEAR DOES AFFECT HOW LONG OR FAST YOU EDIT when your footage is **** and unusable.
I wrote out a 4 page "Timeline of Events" while it was still fresh in my mind of the past two weeks (really, LESS than that, when you include the Thanksgiving weekend and the 2 days of the next week). I am planning on printing it out and letting them BOTH read it, but I'm hesitant.
I don't want to lose the job because some egomaniac can manipulate the boss - but at the same time I don't want to work within that environment. And I'm thinking of using that document - to prove what has happened - at the next production meeting which is happening soon. The BOSS actually likes what I do for them, but I fear this guy feels threatened by me for the quality of work I do for them with what I'm given.
Should I address how he behaved at this meeting and how none of this is my fault due to the clusterfuck of miscommunication between everyone. Or should I just concentrate on the timeline of events that resulted in mine and other editor's projects not being finished when he was back.
I feel like just letting it all out because honestly in the past 24 hours he's been a ****ing dickhead to me, on the day he was back, and today - which made me feel like total ****.
Anyone been in similar situations? or have any advice?
Thanks.