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They are compressed by the lens during production, then conformed back to the proper ratio in projection, so technically only once.
Well not only does shooting in anamorphic yield specific visual differences, but it increases image quality. Rather than throwing out half the negative which isn't used in the widescreen format, 2x anamorphic can include twice the amount of image on the same film frame, resulting in a larger negative, and higher quality.
I've found that you can cheat the anamorphic horizontal lens flare by simply smudging your lens (or hopefully filter in front of the lens) strictly vertical. Once you shoot directly at a source of light that may cause a flare, it will smear horizontally and stay that way. Pretty cheap, and you have to watch out that you don't end up revealing that the lens/filter is a little dirty, but it can be refined. Try it!
EDIT:
Here's a quick image to demonstrate what it will look like. It does tend to soften the image just a little with low light.
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Try shooting directly into a halogen work light. You'll get a horizontal blue flare right away without an anamorphic lens or jelly.I've seen in a lot of different music videos that they use the lens flare, but it stays horizontal... Is that a filter? or post production? and can it be achieved on a photographic lens? for 35mm adapter purposes...
Mcdermitts "I Still" uses it
Try shooting directly into a halogen work light. You'll get a horizontal blue flare right away without an anamorphic lens or jelly.
Yeah, if you like spending money.
Well, I know nothing about this (I'm a completely self-taught amateur), but I'd rather pay for some software (though I haven't paid for it :beerthan mess up with my camera's lens.
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OFFTOPIC: Justin Kuhn, I've seen your demo reel. As a wannabe cinematograher, I must admit it has impressed me so much. Bravo!