indieanajonze
Member
Long story short. I've started a documentary shooting with an XDCAM (SD not HD) in 16:9 using the PsF (progressive) mode. The XDCAM now out of commission and the only camera I have available to finish the doc is an HMC-150. A majority of my footage will end up being shot on the HMC-150. I'm editing in FCP and the final show will be broadcast in SD. My options appear to be the following:
Option #1: I edit the project in HD, and transcode the XDCAM footage to ProRes 422. I did a test and the XDCAM footage comes in way small, but this would save me from having to render a majority of my show if I were to go the route of Option #2.
Option #2: I edit the project in SD. The footage matches pretty good, and I'm able to view everything in real-time, but I would have to render the entire project prior to output.
Additionally, I get a lot of 'fluttering' in diagonal lines from the HMC-150 footage, but I'm guessing that's due to my watching playback on an SD monitor. This is an added frustration as I don't want this to end up in the final output.
The option to re-shoot my XDCAM footage with the HMC-150 is a no go as I'm not able to recreate the scenes we've already shot.
Oh what fun
Option #1: I edit the project in HD, and transcode the XDCAM footage to ProRes 422. I did a test and the XDCAM footage comes in way small, but this would save me from having to render a majority of my show if I were to go the route of Option #2.
Option #2: I edit the project in SD. The footage matches pretty good, and I'm able to view everything in real-time, but I would have to render the entire project prior to output.
Additionally, I get a lot of 'fluttering' in diagonal lines from the HMC-150 footage, but I'm guessing that's due to my watching playback on an SD monitor. This is an added frustration as I don't want this to end up in the final output.
The option to re-shoot my XDCAM footage with the HMC-150 is a no go as I'm not able to recreate the scenes we've already shot.
Oh what fun