Here is the gear I am using. Tascam DR 100II and DR 40, Sound Devices Mix Pre (not D) AT 875 short shotgun mic.
When I send a tone from the Mix Pre to the recorders to calibrate (I know there are different scales here, dbu vs db) them to -18 + or - on the recorders, 0dbu on the mixer. The DR 100 II needs the gain set to about 7 of 10 or 70%. The DR 40 only needs to be set at 6 of 24 or 25% available gain.
So the questions. Seems like I will get better results from the DR40 if I am using that much less of it’s gain, and not driving its pre amps so hard.
Also I got the AT 875 mic to replace my Rode NTG 2 because it is much more sensitive. When I run the AT 875 directly into the DR 100 II my typical gain is set at three to four, for close mic dialog, when I am using the Mix Pre on the front end I have the DR 100 II up at seven and using about half of the gain on the Mix Pre. Except for the limiters and ability to ride the gain it seems counter productive to use the mixer if I need that much gain on the recorder. Or use the DR 40 with the mixer. When using the AT 875 directly with the DR 40 I need the gain up at 60-70 to get decent levels, and it definitely gets noisy when pushed that much. Obviously there are different mic/line input levels on the recorders, but I thought the DR 100 II would be better at both.
Sorry not very well formulated questions, but if I could get some input I would appreciate it.
Thanks,
Tom
When I send a tone from the Mix Pre to the recorders to calibrate (I know there are different scales here, dbu vs db) them to -18 + or - on the recorders, 0dbu on the mixer. The DR 100 II needs the gain set to about 7 of 10 or 70%. The DR 40 only needs to be set at 6 of 24 or 25% available gain.
So the questions. Seems like I will get better results from the DR40 if I am using that much less of it’s gain, and not driving its pre amps so hard.
Also I got the AT 875 mic to replace my Rode NTG 2 because it is much more sensitive. When I run the AT 875 directly into the DR 100 II my typical gain is set at three to four, for close mic dialog, when I am using the Mix Pre on the front end I have the DR 100 II up at seven and using about half of the gain on the Mix Pre. Except for the limiters and ability to ride the gain it seems counter productive to use the mixer if I need that much gain on the recorder. Or use the DR 40 with the mixer. When using the AT 875 directly with the DR 40 I need the gain up at 60-70 to get decent levels, and it definitely gets noisy when pushed that much. Obviously there are different mic/line input levels on the recorders, but I thought the DR 100 II would be better at both.
Sorry not very well formulated questions, but if I could get some input I would appreciate it.
Thanks,
Tom