plasticam
DVXuser Sponsor
My first heavy shooting was with a Bolex Rex 5, I went thru 3 of them and owned a pistol grip for it that I never used, I preferred cupping my right hand under the curved camera body I got a better "latch" that way. With the EX1 and then FS100 I went back to 'Bolex style' big time. Especially with B-roll, the freedom of movement is so much more compelling. With image stabilization and a wide lens it can approximate steadicam and digs into all 3 dimensions.
But since the Bolex - video required filming long takes that can turn your arms to mush, and pretty much the rest of you as well. Neck shoulders.
And something big changed after EX1 / FS100 that I actually had a role in. I made the Cinegrip in 2012 and worked with Sony on an NDA isolating the best ways to
program it. Sony then intro's the FS7 with their own smart grip and now I really need to get that handgrip positioned "just so". I've been workign on it in fsact for 4 years now.
It's almost embarrassing how little I have to show - but I do have something I really like.
Wether you work "Bolex style", Shoulderheld or alot of both- have you ever tried getting your handgrip under the center of the lens/camera?
I've been accused of promulgating this position as some kind of imperial Monroe Doctrine of camera operating which is nonsense but I do reccomend it from alot
personal experience. I like to hold a weight from under the weight not beside it. That just strains my entire body fighting gravity.
The tools have not really existed to let shooters try this Under Lens position. Mitch related yesterday he knew a gifted Cam Op that made his own grip under the lens because he needed that stability. I myself like the position so much Ive invested a lot of time and money to make it a viable new option for the FS5 and 7- right now.
I'm running intro pricing - It's approx $325-350 to get set up this way. It varies a bit between cams. FS5 needs a camera rosette. FS7 needs to be sent in to have glued screws removed (7 day turnaround including shipping). You can try it yourself, sometimes they strip sometimes they don't.
If people find this UL position interesting - I'm here to field your questions and explain what I have and how it works.
But since the Bolex - video required filming long takes that can turn your arms to mush, and pretty much the rest of you as well. Neck shoulders.
And something big changed after EX1 / FS100 that I actually had a role in. I made the Cinegrip in 2012 and worked with Sony on an NDA isolating the best ways to
program it. Sony then intro's the FS7 with their own smart grip and now I really need to get that handgrip positioned "just so". I've been workign on it in fsact for 4 years now.
It's almost embarrassing how little I have to show - but I do have something I really like.
Wether you work "Bolex style", Shoulderheld or alot of both- have you ever tried getting your handgrip under the center of the lens/camera?
I've been accused of promulgating this position as some kind of imperial Monroe Doctrine of camera operating which is nonsense but I do reccomend it from alot
personal experience. I like to hold a weight from under the weight not beside it. That just strains my entire body fighting gravity.
The tools have not really existed to let shooters try this Under Lens position. Mitch related yesterday he knew a gifted Cam Op that made his own grip under the lens because he needed that stability. I myself like the position so much Ive invested a lot of time and money to make it a viable new option for the FS5 and 7- right now.
I'm running intro pricing - It's approx $325-350 to get set up this way. It varies a bit between cams. FS5 needs a camera rosette. FS7 needs to be sent in to have glued screws removed (7 day turnaround including shipping). You can try it yourself, sometimes they strip sometimes they don't.
If people find this UL position interesting - I'm here to field your questions and explain what I have and how it works.