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I've also heard something that the hack works better with the NTSC version than with the units for sale in PAL countries.
The point is when you're shooting a show where you don't need 'anti-mud' aka hack for nothing. Static shots in a music concert or a theatre play for example.You can hack 30 min limit separately, without increasing bitrate, of course, but what's the point in still having the infamous mud?
The firmware more or less works the same for PAl & NTSC. Only NTSC users had more issues with the pull down etc. Their job was made easier, though 24p is still little unstable. The PAL only feature is what European users will appreciate; the 30 min restriction removal.
As a PAL user, I find the hack has made this a far better movie camera. 25p is a nice addition. Third party battery, beefed up MJPEG, 4.2.2 color, language options, better audio are all nice in one way or other.
Best of all, I can go back to original firmware & version anytime and keep the warranty intact. :thumbsup::thumbup: