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I turn on Tungsten for the camera, but I use daylight for the lights hitting the greenscreen, since blue is closer to green on the color spectrum than orange, it makes keying easier.
I mean the camera's white balance is set to tungsten. Then use tungsten lights for the subject and daylight for the greenscreen.
I turn on Tungsten for the camera, but I use daylight for the lights hitting the greenscreen, since blue is closer to green on the color spectrum than orange, it makes keying easier.
I turn on Tungsten for the camera, but I use daylight for the lights hitting the greenscreen, since blue is closer to green on the color spectrum than orange, it makes keying easier.
I turn on Tungsten for the camera, but I use daylight for the lights hitting the greenscreen, since blue is closer to green on the color spectrum than orange, it makes keying easier.