Jonathan_Healey
Well-known member
We caught up with popular US touring act, Grandaddy, prior to their performance at New York City's Irving Plaza. The band discusses their new album Sumday, the recording process and their recent tour with Pete Yorn.
The interview was filmed with the Panasonic DVX100 at 24p normal (F5). We lit the room with 1-ARRI 300+ fresnel and mic'd Jim Fairchild and Jason Lytle with an Audio Technica floor mic. The interesting thing about the setting was the room's ceiling - gold flake paint - predomindant red walls, asian murals and leopard-skin couch. We bounced the light off the ceiling which produced a warm, complimtenary skin tones.
For some reason, the web-version of the interview is much darker than the broadcast version. I made attempts to increase the brightness and gamma, as best I could, during Internet web compression.
Jim and Jason cutaway flashes were also filmed with the Panasonic DVX100. The band provided us with an EPK and we used the footage for additional b-roll. The EPK looks to be filmed with a 3-chip camera and a fisheye lense (studio footage, skateboarding footage). I duplicated all EPK footage in the FCP4 timeline, deinterlaced upper and lowers, blured and lowered the opacity on the upper clip to achieve a filmier look.
All audio ("AM 180" "Now It's On" and "El Caminos in the West) is courtesy of Grandaddy and V2 Records .
Apple QuickTime Required
http://www.aviewofyou.tv/dvx100/grandaddy.html
Please, watch my show National Lampoon's AV Squad on National Lampoon Networks.
The interview was filmed with the Panasonic DVX100 at 24p normal (F5). We lit the room with 1-ARRI 300+ fresnel and mic'd Jim Fairchild and Jason Lytle with an Audio Technica floor mic. The interesting thing about the setting was the room's ceiling - gold flake paint - predomindant red walls, asian murals and leopard-skin couch. We bounced the light off the ceiling which produced a warm, complimtenary skin tones.
For some reason, the web-version of the interview is much darker than the broadcast version. I made attempts to increase the brightness and gamma, as best I could, during Internet web compression.
Jim and Jason cutaway flashes were also filmed with the Panasonic DVX100. The band provided us with an EPK and we used the footage for additional b-roll. The EPK looks to be filmed with a 3-chip camera and a fisheye lense (studio footage, skateboarding footage). I duplicated all EPK footage in the FCP4 timeline, deinterlaced upper and lowers, blured and lowered the opacity on the upper clip to achieve a filmier look.
All audio ("AM 180" "Now It's On" and "El Caminos in the West) is courtesy of Grandaddy and V2 Records .
Apple QuickTime Required
http://www.aviewofyou.tv/dvx100/grandaddy.html
Please, watch my show National Lampoon's AV Squad on National Lampoon Networks.