Postmaster
Dark Side of the Camera
Just returned from Cologne and Berlin, where I shot an image film for a national radio program.
So this was my first "real world scenario" for the FS100. Worked pretty good.
We had one lite panel, but used it only once (first picture) everything else was available light.
Shot in 50i, mostly kit lens, since it was pretty much run&gun. The other lens was a Samyang/Rokinor 85/1.4
This lens is amazing - in a dim broadcast studio at f4 I needed an ND - wtf? That camera is a nigh vision device.
Did some basic curve tweaking.
Here is some grabs.
Frank




So this was my first "real world scenario" for the FS100. Worked pretty good.
We had one lite panel, but used it only once (first picture) everything else was available light.
Shot in 50i, mostly kit lens, since it was pretty much run&gun. The other lens was a Samyang/Rokinor 85/1.4
This lens is amazing - in a dim broadcast studio at f4 I needed an ND - wtf? That camera is a nigh vision device.
Did some basic curve tweaking.
Here is some grabs.
Frank




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