Youtube verison: https://www.youtube.com/watch?v=DgXPZncKnYQ
Vimeo version: https://vimeo.com/253150649
Camera: Panasonic GH5S
Lens: Lumix 25mm f/1.7
Filter: K&F Concept Slim Vari ND Filter
1080p/200fps PAL (no sensor crop)
WB: 5600-5900
ISO: 400-640
PP: V-Log L
Music: Be Still The Earth - Fortress via artlist.io
Just a few quick shots in V-Log L I shot with my Panasonic GH5s. In post I just applied the Panasonic official V-Log L to Rec.709 LUT plus slight contrast and WB adjustments.
I did not apply any noise reduction in post, as I wanted to see how the 200fps footage behaved in V-Log with a simple Rec.709 conversion and no noise reduction for a super quick and dirty delivery.
Due to the thin 8bit 420 structure and stretched bit rate, aliasing and moire are visible in a few of the shots. It is also slightly noisy and softer than normal speed 1080p - but nevertheless, footage looks organic with natural rolloff in the highlights despite the drab January English afternoon.
The slight noise is not an issue for me. With a pinch of NR in post, (Resolve or Neat Video) this footage can sing. 200fps is the maximum frame rate (in 50.00Hz PAL) in which the camera does NOT crop. 225 and 240fps crop the sensor further by about 15-20%.
Vimeo version: https://vimeo.com/253150649
Camera: Panasonic GH5S
Lens: Lumix 25mm f/1.7
Filter: K&F Concept Slim Vari ND Filter
1080p/200fps PAL (no sensor crop)
WB: 5600-5900
ISO: 400-640
PP: V-Log L
Music: Be Still The Earth - Fortress via artlist.io
Just a few quick shots in V-Log L I shot with my Panasonic GH5s. In post I just applied the Panasonic official V-Log L to Rec.709 LUT plus slight contrast and WB adjustments.
I did not apply any noise reduction in post, as I wanted to see how the 200fps footage behaved in V-Log with a simple Rec.709 conversion and no noise reduction for a super quick and dirty delivery.
Due to the thin 8bit 420 structure and stretched bit rate, aliasing and moire are visible in a few of the shots. It is also slightly noisy and softer than normal speed 1080p - but nevertheless, footage looks organic with natural rolloff in the highlights despite the drab January English afternoon.
The slight noise is not an issue for me. With a pinch of NR in post, (Resolve or Neat Video) this footage can sing. 200fps is the maximum frame rate (in 50.00Hz PAL) in which the camera does NOT crop. 225 and 240fps crop the sensor further by about 15-20%.