Camerapilot
Active member
Just recently I had the GH4 on a Ronin for a first job with that combo.
The setup was: The Ronin, Easy Rig, GH4, Yagh interface, Lectrosonics sound RX, Paralinx Arrow+ TX, Bartech Digital Receiver, Small HD AC7 Oled monitor. The lens was a Sigma Art 18-35 1.8 with speed booster wide open. I had a great focus puller.
The Yagh interface is quite wide and with a right angle 4 pin XLR power connector it doesn't leave too much room for side to side balancing. So I set the roll balance by moving the whole arm from the back, loosening the 5 screws and moving it to the side for balance.
It was so nice having the power outputs on the "sled" of the Ronin. I powered the camera itself and the Bartech through the P-Taps, and the Arrow through the USB. I had an Anton Bauer on the top handle to power the Small HD monitor. So the only cable I had going was from the camera to the monitor, a very thin BNC.
Now for the shots: Having been a Steadicam Operator for almost 20 years, I ended up trying to emulate Steadicam shots. Various walk and talks and some, almost dolly like, wrap arounds. I am fairly happy with the results. I see the issues, but considering this is the first time I'm using the Ronin on a shoot, it worked out well. I am sure my knowledge from moving cameras served me well for this job, but I still had to contend with a learning curve, the feel of this new instrument.
The third shot in the footage sequence was done in inverted mode and no Easy Rig.
The GH4 was in "Natural" with sharpness taken down all the way.
Bellow are some stills and some footage:
https://vimeo.com/104356893
Pass: ronin
http://instagram.com/p/sFDSEQsKHz/
http://instagram.com/p/sFbNQBMKN1/
BTW, nothing was done in post. No stabilization and no color correction. Just clips on a timeline...
The setup was: The Ronin, Easy Rig, GH4, Yagh interface, Lectrosonics sound RX, Paralinx Arrow+ TX, Bartech Digital Receiver, Small HD AC7 Oled monitor. The lens was a Sigma Art 18-35 1.8 with speed booster wide open. I had a great focus puller.
The Yagh interface is quite wide and with a right angle 4 pin XLR power connector it doesn't leave too much room for side to side balancing. So I set the roll balance by moving the whole arm from the back, loosening the 5 screws and moving it to the side for balance.
It was so nice having the power outputs on the "sled" of the Ronin. I powered the camera itself and the Bartech through the P-Taps, and the Arrow through the USB. I had an Anton Bauer on the top handle to power the Small HD monitor. So the only cable I had going was from the camera to the monitor, a very thin BNC.
Now for the shots: Having been a Steadicam Operator for almost 20 years, I ended up trying to emulate Steadicam shots. Various walk and talks and some, almost dolly like, wrap arounds. I am fairly happy with the results. I see the issues, but considering this is the first time I'm using the Ronin on a shoot, it worked out well. I am sure my knowledge from moving cameras served me well for this job, but I still had to contend with a learning curve, the feel of this new instrument.
The third shot in the footage sequence was done in inverted mode and no Easy Rig.
The GH4 was in "Natural" with sharpness taken down all the way.
Bellow are some stills and some footage:
https://vimeo.com/104356893
Pass: ronin
http://instagram.com/p/sFDSEQsKHz/
http://instagram.com/p/sFbNQBMKN1/
BTW, nothing was done in post. No stabilization and no color correction. Just clips on a timeline...