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From a pure bitrate standpoint (notwithstanding the 30 minute removal, language and other improvements) I'm not sure the hack is worth it for me yet.
If you want to hack it to get 42 Mbps 24p files, here's what you have to live with:
1. "Blip" in every file at the beginning due to the compression "ramping up"
I don't see what's that awful about the built-in 24p 24 megabit now that is worth the above risks. Don't get me wrong, I'm all about progress, I just don't want blips at the beginning of all my clips and the other headaches aren't worth the tradeoff. Yet.
I can play back my hacked footage (42 and 32 mbps) on my camera... and my class 6 cards seem to be holding up to very detailed wides.
Check the still image it shows for video playback in camera. Does it have all kinds of macro blocks?
Yes, the first second is garbage. But someone said a page or two back that hacked footage couldn't be played back in camera. But I can. Mine plays back fine.
I just installed the GH2vk hack and ran some tests. I shot outdoors at ISO 320, f/11 with a 1/400 shutter.
All I would like to see is the same shot, one @ 24 megabit unhacked and then another with the 42 or 32 Mbit/s hack. The same framing from a tripod, same exposure. I watch my footage on a 60" Sony LED/LCD tv and just want to know if this is all worth the hassle. A blip at the beginning of every clip is worse to me than the very minor if ever macroblocking, not to mention the cost of disk space. I shoot lots of videos of my kids and start and stop all the time. I think 15 clips with blips would drive me nuts, and I have yet to see any comparison videos of 32 vs 24 megabit.
Don't get me wrong, I'm all for technology, and I have donated to the hacker's site - I just don't shoot 29.97 / 720p / etc. Only 24p 24Mbit/s.
Thanks - is anyone up to showing me the difference vis-a-vis two different clips?
Shawn
I really appreciate it cowpunk. I have a lot of work to do soon for this site testing the Singh-Ray Vari-ND at long focal lengths.
Other than busy crowds / fast action scenes, when you think the bitrate increase will really make a huge difference?
The 42 mbps hack gives a noise profile extremely similar to the film grain that I add in post, so I don't need that extra step anymore. The macro-blocking is largely gone, and what's left is a very film-like and organic image - especially compared to unhacked footage.
These are the static comparison clips:
320 ISO
f11
1/400 shutter
35mm & 105mm
http://www.sendspace.com/file/c7xmem