PROJECT NAME: BLACK SHEEP,
FORMAT: 1080/24P NTSC,
PROJECT AP: Internet and Festivals
I'm preparing to do a joint project with GH2 shooters in Paris and Beijing or any iconic Chinese city like Shanghai, maybe even Hong Kong.
If you're in Taiwan, that also works best because I'm assuming you bought an NTSC GH2.
There's some pay, plus 2nd Unit Director credit.
I'll need something you probably already have shot: Night Time Slider Cityscapes, skylines, Iconic sights and a marketplace.
Plus 2-3 storyboarded shots that I'll send over.
If you're in Paris with an NTSC GH2, marvelous. Or am I correct to assume that hacked GH2's can shoot either PAL or NTSC??
Editing on FCP, I'm going to be editing this footage together with AF100 footage, but all my INTerior shots will be AF100 and the EXTernal night shots will
be GH2 so there's not really any special need to match shots to the AF100. The only thing we'll probably need to match will be the hacks and settings on the GH2 mainly for ease of editing.
Sorry if my questions sound stupid, I'm more conversant with my AF100 and this little camera is just a minefield of buttons and
a gajillion options.
I can be reached at dtzfilms@gmail.com or you can respond here.
FORMAT: 1080/24P NTSC,
PROJECT AP: Internet and Festivals
I'm preparing to do a joint project with GH2 shooters in Paris and Beijing or any iconic Chinese city like Shanghai, maybe even Hong Kong.
If you're in Taiwan, that also works best because I'm assuming you bought an NTSC GH2.
There's some pay, plus 2nd Unit Director credit.
I'll need something you probably already have shot: Night Time Slider Cityscapes, skylines, Iconic sights and a marketplace.
Plus 2-3 storyboarded shots that I'll send over.
If you're in Paris with an NTSC GH2, marvelous. Or am I correct to assume that hacked GH2's can shoot either PAL or NTSC??
Editing on FCP, I'm going to be editing this footage together with AF100 footage, but all my INTerior shots will be AF100 and the EXTernal night shots will
be GH2 so there's not really any special need to match shots to the AF100. The only thing we'll probably need to match will be the hacks and settings on the GH2 mainly for ease of editing.
Sorry if my questions sound stupid, I'm more conversant with my AF100 and this little camera is just a minefield of buttons and
a gajillion options.
I can be reached at dtzfilms@gmail.com or you can respond here.
