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I think it would be naive to think that the GH1 sensor, which is almost 4 times smaller than the full frame Canon, will give the same low light results.
I so hope that the samsung NX will solve any problems the GH1 has... a lot of silence from Samsung lately, maybe something good is being prepared [fingers crossed].
Anyway, not to go off topic, the GH1, with its sensor is amazing even to be able to be compared with the 5D...
See: http://www.dvxuser.com/V6/showthread.php?t=169871I think it would be naive to think that the GH1 sensor, which is almost 4 times smaller than the full frame Canon, will give the same low light results.
Samsung's hand in actual VIDEO is something else non-existant. So we'll really have to see about that.
Eh, you can't forget that some people (not me) are obsessed with the full-frame field of view that most/all adapters provide. There are a few people for whom the crop factor actually is the deal-breaker.If anything, the GH1 has killed all the HV20/30/40- HVX & Canon A1 adapter crap for good.
First sight looked like some HPX3000 footage. I know what Barry meant when he saw it on a Production monitor.
After rolling through it and getting a grip on it, it's more like an EX-1 if the EX-1 had a larger sensor and interchangeable lenses.
It eats the Nikon D90 alive, and no matter what Nikon updates on the D90 it will STILL eat it alive because they will not fix:
B. MJPEG Compression ( The work around is okay, And the footage doesn't look bad after it's applied, still annoying).
That still sounds pretty good. Nikon will have to do a new camera to fix all that...so you could easily see some films getting made with the GH1?
One other thing,,,,how easy it to record, then download into a computer and edit. I'm using FCP. I just don't want something that is going to need a lot of work arounds.
Eh, you can't forget that some people (not me) are obsessed with the full-frame field of view that most/all adapters provide. There are a few people for whom the crop factor actually is the deal-breaker.
I think it would be naive to think that the GH1 sensor, which is almost 4 times smaller than the full frame Canon, will give the same low light results.
Not bad to be anywhere near the EX-1 for 1500 with access to way more lenses. And have a bigger sensor to boot.
Kholi I must have missed the Mjpeg discussion, where was that? Lightning fast threads, stuff gets lost quick....
No matter which camera you go with you're going to do workarounds. It's not easy unless you deal with Edius or Premiere.
FCP is a pain in the ass, Cineform NeoScene makes it a little less painless. Much better than ProRes IMO.
However the crop factor is more inline with super35 which is for the most part, all films are lensed too.
People call it a crop factor, yet those that shoot 35mm film or even Red, don't refer to their format as cropped.
Funny how things can get so crazy with all this.
No matter which camera you go with you're going to do workarounds. It's not easy unless you deal with Edius or Premiere.
FCP is a pain in the ass, Cineform NeoScene makes it a little less painless. Much better than ProRes IMO.
Are you going to try out Premiere Kholi? Isn't there a free trial version?
Exactly. As far as Im concerned the GH-1's "Crop factor' is non-existant. I'm not worried about Full Frame, it only limits your choice of glass for the most part.
I'm completely at home with the GH-1's sensor size or the D90's sensor size. The rest is just hair splittin'.