With CFL and LED lights around 5100K (WB setting), we were able to get skin tones looking better than in previous tests:
https://www.youtube.com/watch?v=O6nm3OqyDpg
We had limited time to shoot and edit: the goal was to get accurate color 100% in camera with no post CC (AVCHD). I started with PP 6 and tweaked it while watching live on a 52" Sony HDTV. Didn't have time to get a solid chroma key, but we were happy with the overall color and skin tones (5D3 14-bit RAW is more forgiving with color & lighting- have been trying to get the FS700 to a similar level of quality. The tiny 24Mbit/s AVCHD files and workflow are much faster than 5D3 RAW, plus we can use good XLR mics and autofocus lenses (SELP18200 servo zoom used here @ F6.3).
https://www.youtube.com/watch?v=O6nm3OqyDpg
We had limited time to shoot and edit: the goal was to get accurate color 100% in camera with no post CC (AVCHD). I started with PP 6 and tweaked it while watching live on a 52" Sony HDTV. Didn't have time to get a solid chroma key, but we were happy with the overall color and skin tones (5D3 14-bit RAW is more forgiving with color & lighting- have been trying to get the FS700 to a similar level of quality. The tiny 24Mbit/s AVCHD files and workflow are much faster than 5D3 RAW, plus we can use good XLR mics and autofocus lenses (SELP18200 servo zoom used here @ F6.3).