Does anyone know if the Q7 will be a 10bit panel?
How useful and accurate will it be to use as a grading tool?
I know slog2 LUTs have been mentioned but was wondering if the original slog as used in the f3 will be getting any love and attention
We are looking into adding a fs700 as a first or second camera next year.
The Q7 looks great from the specs and I'm getting one from CVP here in the UK, as soon as it becomes available.
What I'd like to do straight off is record 1080p @50fps from the f3, hopefully without having to purchase any expansion options like the fs700 raw recording etc. If possible to a single ssd.
Also will be using its live scopes for grading along side my sony 17 inch LCD and a Panasonic Plasma.
In January / February next year we will have the budget to add an fs700 and the raw option plus more ssd's to the 7Q.
Dan if you could chime in that would be great?
The 7Q is looking like a tool that I'll be using on every shoot if the colour accuracy, LUT's and exposure tools are good.
Surinder Singh.
How useful and accurate will it be to use as a grading tool?
I know slog2 LUTs have been mentioned but was wondering if the original slog as used in the f3 will be getting any love and attention
We are looking into adding a fs700 as a first or second camera next year.
The Q7 looks great from the specs and I'm getting one from CVP here in the UK, as soon as it becomes available.
What I'd like to do straight off is record 1080p @50fps from the f3, hopefully without having to purchase any expansion options like the fs700 raw recording etc. If possible to a single ssd.
Also will be using its live scopes for grading along side my sony 17 inch LCD and a Panasonic Plasma.
In January / February next year we will have the budget to add an fs700 and the raw option plus more ssd's to the 7Q.
Dan if you could chime in that would be great?
The 7Q is looking like a tool that I'll be using on every shoot if the colour accuracy, LUT's and exposure tools are good.
Surinder Singh.