FS700 - 13 Stops of Dynamic Range?

Chris Johnston said:
Is there not a half stop directly under the arrow by the number 6? (not the stop the arrow is pointing to)
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Yes, but people who don't want it to be there (i.e. who want to poo poo this camera before it's even released) won't see it.

Also, I trust Frank's opinion on it (...not to mention the fact that he has the camera in his hands right now).
 
Postmaster said:
Took the 700 for a walk this afternoon to find a high DR real world scene
To the naked eye, the foreground was much darker, than what you see in that grab.

View attachment 53632

It´s in the neighborhood of 11.5 stops (was a bit hard to meter, since the light was changing fast, as I run around with my spotmeter)

I lifted the shadows a bit and brought down the lights to legal levels.
I was surprised, that there was more room in the highlights, than in the shadows, that had a pretty flat bottom.


Frank
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Wow, that looks really great! Thanks for doing that, Frank!
 
Frank,

It sounds like for higher than 60fps, the camera must buffer and then send a 30p or 24p signal out through HD/SDI to a Samurai, but I believe the camera can record 60fps continuously with no buffer. How did this work with a Samurai? It seems like this would not be possible without 3G. How did your results look?
 
Frank,

It sounds like for higher than 60fps, the camera must buffer and then send a 30p or 24p signal out through HD/SDI to a Samurai, but I believe the camera can record 60fps continuously with no buffer. How did this work with a Samurai? It seems like this would not be possible without 3G. How did your results look?
 
You can feed the Samurai 60i (it's actually P in a wrapper) and it puts the fields back together with no loss in quality.
 
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