Rick Burnett
Section Moderator
Im pretty sure the codec is 'thin'
I dont have great expectations of a deep gradeable codec from this camera - im pretty good at lighting to control DR in a scene
I just want reasurance that there is a simple workflow to get from AVCDH to a FCP friendly codec like Prores
Ideally Prores as that is what my back catalogue is in
Using todays tech how can one get to Pro Res on a non intel mac and how long will it take?
What is relavent is what the codec contains. It is 8-bit, so you will have some limitation on how far you can push things as compared to 10-bit. Converting it to 10-bit isn't going to give you any extra information that was there because it's gone from the point it was encoded. If you are used to working with 8-bit capture codec in the past, then it should be what you expect. There is nothing wrong with transcoding, as it can gain speed enhancements on some machines, and of course, compatibility on others. With FCP you have to transcode right now as it does not support AVCHD directly yet. Since QT cannot allow me to quick view files in OSX that are AVCHD at this point, I transcode to ProRes 422 *IF* I am dealing with a lot of files. If it's just a few, I use VLC to quickly view the contents before dragging into Premiere or After Effects.
If I had a non-intel mac I'd tell you, but I sold my G5 dual 1.8Ghz machine years ago (2006 to be specific) and haven't looked back. You should REALLY REALLY REALLY consider upgrading if you are on a preIntel machine. You can get some Core2duo's for VERY cheap and it will absolutely outperform an older G5. Heck. my coreduo macbook outperformed the G5 which is why I got rid of it. I was shocked. I would be surprised if FCPX even worked on nonIntel honestly.