directedition
Member
Hello,
I'm shooting a film on film which includes a number of shots of a television screen. The guy I'm working with thinks we could just film a blank screen and do aftereffects magic to apply the video in post. I think this is total BS, and want to film an actual TV screen.
I've read up a bit on filming monitors, but there are a couple issues that I have yet to resolve. My reading material tells me that for NTSC video, you need to shoot at 144 degrees to eliminate the scrollbar. But the good ol' Eclair NPR we're using only does 5 degree increments, so the closest would be 145. Would that be a noticeable difference? I think it's important that this shot be seemless and not have any scrollbar artifacts.
Also, is there any rule for what the source video should be filmed as? I mean, will 60i translate well to film without a ton of interlacing garbage? Or should I shoot my video segments at 24p? Does it really matter?
Thanks a ton for your input!
- Jim
I'm shooting a film on film which includes a number of shots of a television screen. The guy I'm working with thinks we could just film a blank screen and do aftereffects magic to apply the video in post. I think this is total BS, and want to film an actual TV screen.
I've read up a bit on filming monitors, but there are a couple issues that I have yet to resolve. My reading material tells me that for NTSC video, you need to shoot at 144 degrees to eliminate the scrollbar. But the good ol' Eclair NPR we're using only does 5 degree increments, so the closest would be 145. Would that be a noticeable difference? I think it's important that this shot be seemless and not have any scrollbar artifacts.
Also, is there any rule for what the source video should be filmed as? I mean, will 60i translate well to film without a ton of interlacing garbage? Or should I shoot my video segments at 24p? Does it really matter?
Thanks a ton for your input!
- Jim