Jan_Crittenden said:xander76 wrote:
The Uncompressed output is uncompressed but what goes to tape is compressed as HDV. This is only a 24P derivation to the HDV spec, but the recording is HDV. The output is in the Analog domain and would require a 3rd party device to bing it into any of the HD production systems today as all of those are in HD-SDI.
Be very careful here as there is no 720P/24 outside of an NLE or outside of a 60P with a 2:3 pulldown. That is there are no devices that record just this, unless it is a computer or some sort of memory.
But they will need a Analog component to HD-SDI conversion device.
Hope that clarifies as that is basically what the FX1 does but it does it in 1080, not 720.
Best,
Jan
Jan, yes, it will be analog, but you can capture it straight to a HDD using Black Magic Designs A/D converter and get a sweeter signal than DVCPRO-HD which is compressed. Heck, my guess is that even if one would just feed it to a high end Beta SP deck, it might still looking better than compressed HD.
Although the Sony does it as well, I think it goes out via composite or maybe S-video. We don't know how JVC will do it. Maybe component. Besides, the sony sees through that el crepo prosumer lens (like the DVX100 and apparently HVX200) which not only is worse glass, but limits your work as a cinematographer. It's also interlaced only. So, there's realy no comparison here. It's like saying : The HVX200 records to solid state media but so does many consumer 1 CCD camcorders, so it's not better. It's a different camera, a different animal.