Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
Going from "no sound" to "suddenly sound in the same shot" is "artistique" ?
It's good you don't reveal the person yet and the close shots are nice.
I think in the edit, it could be a little more "compact"... by removing 1 or 2 frames in some shots.
0:56, here he's suddenly revealed...
For the rest it's, nice shots, nice edit... just little more on the sound.
Sound is not only music, it's music together with ambience sounds, footsteps, sound of the knife hitting, sound of....everything.
The thing that a film is like: "whoooooooooooooooooow duuuuuuude, that's dam cool !!!!!" is not the music, it's the combination of music mixed
with sounds of fighting, footsteps, suddenly no music... Silence... Silence can be your biggest friend
The end stops suddenly (the music)... small fade out can do a lot.
And where he takes the knife the 2nd time (not in the dream but that other time) I wanted to hear a "knife taking sliding metal sound"... now it's...just a stupid knife like I have 408644684668 in my kitchen
This film was shot in one day and the sound and editing done in a week or so. It is more a experiment of framing and suspense. I would really appreciate any feedback.
As others have commented, lighting is generally poor. For me, the handheldfollowaround style is a quick method to 1) get me motion sick, 2) get me to stop watching.
If you intention was to emulate Dziga Vertov, or the onetake "Russian Ark"(2002), I'd suggest a 'real(tm)' steady cam setup.
It also adds to the tension that is supposed to build up.
In the first 10 seconds there's no sound, but then suddenly there's sound
Here's an example of Dziga Vertov, "A Man With a Movie Camera"(1929)