NeedCreative
Well-known member
That's good advice. So when I looked at shoot on the AF100 shot in a relatively low-light situation (still lit by lights, but not a ton) vs a similar scene shot with a FS100, the FS100 holds more detail (significantly so) with less noise. There's literally less picture information on the AF100 in those scenarios, and it shows on broadcast TV. This isn't fanboyism, it's just fact, and it's hardly about "shooting in the dark".
That said, the AF100's a better camera as far as build, features go. Not by leaps and bounds, but enough to notice for sure with its scopes and nicer physical build and ND filters and SDI and so on. However these nice-to-have's don't outweigh what I consistently see as a poorer picture in low light, and a less than graceful rolloff on the highlights. I mean, these are just facts; the AF100's sensor suffers. I'd rather get a camera that suffers less in more shooting situations, even if I have to be careful it doesn't get hit with a stiff wind.
Then again I wouldn't ask anyone to take my word for it. Go shoot with both; rent them and shoot with them. Edit and post process the footage, evaluate, and THEN buy.
That said, the AF100's a better camera as far as build, features go. Not by leaps and bounds, but enough to notice for sure with its scopes and nicer physical build and ND filters and SDI and so on. However these nice-to-have's don't outweigh what I consistently see as a poorer picture in low light, and a less than graceful rolloff on the highlights. I mean, these are just facts; the AF100's sensor suffers. I'd rather get a camera that suffers less in more shooting situations, even if I have to be careful it doesn't get hit with a stiff wind.
Then again I wouldn't ask anyone to take my word for it. Go shoot with both; rent them and shoot with them. Edit and post process the footage, evaluate, and THEN buy.

