Noiz2
Sound Ninja
This is really a FCP issue but since it appears as an audio issue and sound guys are the ones that found it and have to deal with it...
In FCP if your working in a true 24 FPS OR a true 30 FPS timeline any audio you bring in to the time line will be played back slow in FCP.
This showed up first with RED footage shot at 24 rather than 23.98. Not that many low budget RED films yet so you don't see it too often below a certain budget point. BUT the Cannon 5D Mk II shoots TRUE 30 frame video (only option) and that is being used by a lot of low budget filmmakers.
The best workaround for the Cannon is to convert the footage to 29.97 before you edit. You will need to convert it anyway since it shoots H.264 and you can't really edit with that. Make a custom compressor setting and convert the video to 29.97 and the audio to 48K. After that everybody's happy.
If your the sound guy and it's too late the only real option is to out put a WAV file and run it through Sebsky Tools. You can google it. The company that made it is DOA but the tool was always free and it's archived on a number of sites and I will put it on mine when I get around to it. Anyway you take your WAV file and use the "bwf2qt" tool to wrap the WAV file in a MOV file and set the frame rate to 24. FCP will bring this in as the same speed as the video and it should all play back in sync.
The reason for 24 even if your in a 30 time line is that 30 and 24 are both "film speeds". The whole problem comes from FCP making assumptions about workflow and has decided to "correct" your audio for you behind your back. There doesn't seem to be any way to turn off this bad behavior and it's been in FCP since at least V6. The only "fix" is to lie to FCP so it won't try to fix what ain't broke.
Cheers
SK
Scott Koue
www.scottkouesound.com
http://imdb.com/name/nm0468138/
In FCP if your working in a true 24 FPS OR a true 30 FPS timeline any audio you bring in to the time line will be played back slow in FCP.
This showed up first with RED footage shot at 24 rather than 23.98. Not that many low budget RED films yet so you don't see it too often below a certain budget point. BUT the Cannon 5D Mk II shoots TRUE 30 frame video (only option) and that is being used by a lot of low budget filmmakers.
The best workaround for the Cannon is to convert the footage to 29.97 before you edit. You will need to convert it anyway since it shoots H.264 and you can't really edit with that. Make a custom compressor setting and convert the video to 29.97 and the audio to 48K. After that everybody's happy.
If your the sound guy and it's too late the only real option is to out put a WAV file and run it through Sebsky Tools. You can google it. The company that made it is DOA but the tool was always free and it's archived on a number of sites and I will put it on mine when I get around to it. Anyway you take your WAV file and use the "bwf2qt" tool to wrap the WAV file in a MOV file and set the frame rate to 24. FCP will bring this in as the same speed as the video and it should all play back in sync.
The reason for 24 even if your in a 30 time line is that 30 and 24 are both "film speeds". The whole problem comes from FCP making assumptions about workflow and has decided to "correct" your audio for you behind your back. There doesn't seem to be any way to turn off this bad behavior and it's been in FCP since at least V6. The only "fix" is to lie to FCP so it won't try to fix what ain't broke.
Cheers
SK
Scott Koue
www.scottkouesound.com
http://imdb.com/name/nm0468138/