For most people this analogy may be correct, but I would figure it out relatively quickly no doubt. I am a very quick learner.
Again, not directed at you in particular as I have no idea of your experience. But holding the T2i as a frame of reference does imply that this is where your experience is. Otherwise you would ask how the low light compares to say an Alexa or Genesis instead of a T2i.
I understand how it could appear, but I was merely trying to gauge the low light sensitivity, so I'd know what to expect (ie; step up or step down). I do not have much experience shooting with high end cameras to be honest, but that's not to be mistaken for someone with the inability to use one. I am a quick learner and love to soak up knowledge in this field. I have worked with BMCC RAW footage with ease. If I had the camera there is not one shred of doubt I'd figure it out and make great footage with it. It's not rocket science by any means.
The reasons why I asked how the low light compares to the T2i instead of a higher end camera like the Alexa or hell, even the lower end FS100U is because it's a bit of an older cinema camera and I wasn't sure how the low light of an older model cinema camera would compare to the expected low light of today's cameras, even consumer wise. Just needed a frame of reference, that's all really. I already assumed it was no match for the Alexa in low light.
Thanks for the replies.
Why don't you look at a Sony F3? I think it may be better suited for you and the F3 is no slouch. It even beats the F35 in some areas like dynamic range and low light. Yes, it doesn't do 12 bit 4:4:4, but honestly unless you are doing features or very high end stuff you don't need it. It's much smaller than the F35 and easier to handle. Besides have you seen how much they are going for? One sold for 3,000 Dollars on Ebay a couple of weeks ago and another sold for $6,900, including the 3x PL primes and S-log upgrade. This is just insane what's happening to the F3. It took a bigger hit than any camera under $15k. There are like 100,000 F3s on Ebay. At the moment there's only one single FS700 on Ebay for example. And the FS700 is still selling for 7 grand and over. More than the F3. But yet, it's only half the camera IMO. Crazy times.
If I was upgrading from a T2i I would definitely check the F3 at the moment. Then if your BMCC ever comes out of the assembling line you can decide to pass or get it. By then your F3 will have probably already paid for itself, specially at these prices. Besides, a 4:4:4 S-logged F3 is much more camera than a BMCC IMO. RAW is overrated, specially on a small sensor box with a lens.
