Hi guys,
Just want to check when I import 10 bit prores footage shot on my F3 from a Black Magic Shuttle V2. Is the footage upper field dominant?
When I drop the footage into a progressive DSLR preset sequence in Premier Pro CS6 I'm asked if I want to change the sequence setting to match the clip I'm dragging onto the timeline. Upon checking the sequence settings I see it is set to upper field. I was under the impression that the stuff I was shooting to the Shuttle was 25p progressive? Could someone please clarify ?
Also noticed that the clips on the Shuttle will not load at all into CS5 at all, may be down to the imbeded 16 tracks of audio that are recorded at the same time?
Surinder.
Just want to check when I import 10 bit prores footage shot on my F3 from a Black Magic Shuttle V2. Is the footage upper field dominant?
When I drop the footage into a progressive DSLR preset sequence in Premier Pro CS6 I'm asked if I want to change the sequence setting to match the clip I'm dragging onto the timeline. Upon checking the sequence settings I see it is set to upper field. I was under the impression that the stuff I was shooting to the Shuttle was 25p progressive? Could someone please clarify ?
Also noticed that the clips on the Shuttle will not load at all into CS5 at all, may be down to the imbeded 16 tracks of audio that are recorded at the same time?
Surinder.