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Hardly. Real men don't pay retail.Perhaps if our manhood were questioned we might be induced to pay more?
It's now $5750, last we knew, until they announce whatever new announcement of when they're going to announce when they plan on announcing something new. Which will, of course, be subject to change, so you can't take anything in their announcements at face value because they disclaim any need to stick by it.I haven't really been paying attention to all the red hype - are they still planning on putting out a 3k 2/3 120fps fixed lens cam for $3000 or did that see a price hike as well?
I haven't really been paying attention to all the red hype - are they still planning on putting out a 3k 2/3 120fps fixed lens cam for $3000 or did that see a price hike as well?
Wow, and I thought Scarlet 3K's price had skyrocketed! Since being announced Scarlet's price has increased nearly 92%, and since going modular it has increased 53%. However, since November 2009's announcement, it has gone up only (and it pains me greatly to use that word) 21%. On the other hand, since November 2009 Scarlet S35 -- now rebadged Epic-S (aka Epic Light) -- has increased about 70%, assuming that the $12,000 figure is correct. Another way to look at it: it's increased by almost the price (the most recently quoted one, anyway) of the Scarlet 3K fixed kit.Sheesh...$5000 premium just for changing the name? That settles it.
Epic S has new features, most notably HDRx. We'll have to wait and see exactly what the other improvements are.
You've got it backwards... first you find yourself a client that will gross you at least $50k/year, and then you get the camera that you need to do the job.The only way I'd buy an EPIC-S is if it comes with a new client that will gross me at least $50k/year. And I get to pick the client.
In the initial announcement of the name change, Jim Jannard said "The features have changed as has the price." So it's going to be a more capable camera.Sheesh...$5000 premium just for changing the name? That settles it.
I don't think the price is unreasonable if the 18 stops in HDR work as well as the sample footage I have paid with HANDS DOWN. It's just out of my league at the moment.
It is not unreasonable at all compared to market prices, but the way it was marketed etc which is really bad. If more or less from the start it was said that it would be in that price range many would not have complained or be disappointed because they would have known from the start if they can afford it or not. But many have waited about 3 years for this camera because it was in there budget and then just by magic the price is increase by 80% and out of there budget. No matter what type of functionality it will have more, they are just priced out of it.
The only good thing now for them is that at least there will be alternatives in this market segment, from the Panasonic af-100, Sony nxcam and Sony F3. The irony is that it will be the Sony and Panasonic of this world who will cater for the indy crowd and red be the elitist one!!! How time has changed from red the champ of the indies, who would bring the cinema quality to the indies.
Maybe what you think is bad is actually really good for them? If they had marketed it as twice the price originally, do you think that there would be nearly the buzz about it? At $2-3k almost everyone can find a way to buy it and gets everyone talking in a positive light because they believe it will be theirs "shortly". Now that it's a reality and is going to cost a lot more, some of the fans said "ok, whatever" I will still buy it, some won't upgrade, some didn't care about the price to begin with and wants it for the capabilities, some will go with other brands. Personally, I think it was genius marketing on thier part. Everything else has changed, why not the price? AF100 will be a great camera. But it still doesn't have the capabilities RED will have, Depends on what you're doing.
I am no expert in marketing but here we are talking about a very small niche market, and piss...ing perhaps more than half, if not more of your market might not be such a good idea. It is not as if Lady Gaga putting some meat on her as a publicity stunt. To use their forum as a good marketing barometer is not sound at all because most who do not agree with them have been banned. For sure they have a near religious following, but will they expand on that. They were in no man's world with no competition before the arrival of the Af-100, Sony F3 and the Sony Nxcam. People have choices now, it was easy for red to discredit the Dslr with poor resolution, aliasing, moire etc. Will it be the same now? If the Sony Nxcam comes with the announced spec of 3.5K, s35 sensor, very good low light and dynamic range with 10 bit 422 hdsdi output below $ 6000, don' t you think that it will good enough for most. It won' t be as easy to ridicule now.
Most if not all professionals or production company will buy in at least an S35 camera in the next two years, because it will become a must to have at least one large sensor camera look besides there traditional ones. We are talking everyone who has an ex1- ex3 type of camera for event, weddings, corporate, advertising world. When Sony or Panasonic will have acquired those market they could toy with red at will. Already we see that the sensor of the F3 will be in the Nxcam, guest what will happen in the next 2-3 years. While Red prices just go up, normal market mechanic (shirking market higher prices to recoup r&d etc), the F3 class of camera could cost well below $ 10000.
I will just take the example of a sister market which resembles a lot the video market. When Canon brought out the full frame 1ds in 2003 it nearly killed the high end medium format camera. After a lot of restructuring and bankruptcy, the medium format market is just the shadow of what it was, with many venerable companies that have died. Just a handful have survived like hasselblad. The reason was that the 1ds was good enough in those days for pros who could not afford the tens of thousand of dollar backs. If tomorrow you had to buy some actions would it be hasselblad or nikon/canon ?
Great assessment, and glad you're considering "a carrot" that you can go buy at the store right now, not waiting for the promised super carrot of the future. When it gets here, then consider itYep the marketing of course was also about destroying confidence in the buyers of other cameras by suggesting they were out of touch, obsolete etc. Basically dangling a carrot for god knows how long. I personally do actually 'generally' want a camera from RED - which despite not having used one before - so that feeling says something about there marketing efficiency lol. However, there is animosity too, it has smacked of arrogance, and while I look forward to there release - I will be more cautious about there products as a result of what i feel has been a faily infantile process.
In the meantime I am carefully scrutinising options offered by Canon, and especially Panny's AF100.