Kuock
Active member
I've got Barry's book and he says the way to achieve a good slow motion: shooting 50i (I'm PAL user) and then import the footage into a 25P timeline (what is a 25P timeline? I edit with Premiere and I think it doesn't distinguish between interlaced and progressive timelines... it is just a 25 fps timeline)
If we shoot like that in order to get slow motion we lose the 25P quality will that footage look very different from the rest of the film shot at 25P?
Isn't it enough to get slow motion by playing back the 25P footage at less speed into the nle?
Thank you very much for your help.
I'm sorry about New Orleans issue...
If we shoot like that in order to get slow motion we lose the 25P quality will that footage look very different from the rest of the film shot at 25P?
Isn't it enough to get slow motion by playing back the 25P footage at less speed into the nle?
Thank you very much for your help.
I'm sorry about New Orleans issue...