Bob Diesso
Active member
This statement by Tosh Bilowski on Panasonic's defperception site has me confused:
"If you are working with the P2 card in 720P at 24 frames, the P2 card can be set to record just the 24 flagged frames(works differently on the 1080I/24P). At 720P/24, it is the same thing as the VariCam but the flagged frames being saved constitute 24/60ths of the entire data rate, or roughly a little more than 1/3 or 100Mbs. It comes out at 40Mbs, and thus it takes up less real estate than DVCPRO50." "Tosh" is Panasonic's voice, so this post must be true.
Panasonic themselves have claimed HDV is "bandwidth starved".
An important part of the DVCPRO HD vision for me, at least, was superior HD quality at 100 Mbs, as opposed to HDV's 25. Even at MPEG's claimed 4x efficiency, DVCPRO at 100 Mbs still seemed the clearly superior idea.
So, if HDV is "bandwidth starved" at 25 Mbs, what does that make DVCPRO HD at 40 Mbs?
I really want to believe in HVX, but there are too many conflicting spins as Panasonic gradually takes the wraps off of HVX.
"If you are working with the P2 card in 720P at 24 frames, the P2 card can be set to record just the 24 flagged frames(works differently on the 1080I/24P). At 720P/24, it is the same thing as the VariCam but the flagged frames being saved constitute 24/60ths of the entire data rate, or roughly a little more than 1/3 or 100Mbs. It comes out at 40Mbs, and thus it takes up less real estate than DVCPRO50." "Tosh" is Panasonic's voice, so this post must be true.
Panasonic themselves have claimed HDV is "bandwidth starved".
An important part of the DVCPRO HD vision for me, at least, was superior HD quality at 100 Mbs, as opposed to HDV's 25. Even at MPEG's claimed 4x efficiency, DVCPRO at 100 Mbs still seemed the clearly superior idea.
So, if HDV is "bandwidth starved" at 25 Mbs, what does that make DVCPRO HD at 40 Mbs?
I really want to believe in HVX, but there are too many conflicting spins as Panasonic gradually takes the wraps off of HVX.