Snapper123
Well-known member
Hey guys, to be honest, I feel like the DSLR movement has left me in a state of distress and ultimately has led almost to a complete lack of enthusiasm and ability to create art. I think the quality of these cameras are downright horrible, I dislike the moire, I dislike the lens hassles, I dislike the precision, and I dislike generally everything about it. Even to begin with, I only bought the T2i because the equal resolution camcorders cost just as much and I figured I'd at least have a professional looking body with good depth of field. Wrong, cuz the quality seems to suck, and all the features just get on my nerves.
With camcorders like the Panasonic hdc-tm700 though, the videos seem so drastically sharp that actual good "Sharpness Moire" seems to happen, instead of the DSLR's opposite quality color moire, meaning the videos are drastically sharper in quality, supposedly. With that, to be honest, quality is all I'm after, I very seldomly find any use for precision in the end, I don't really care about what aperture I have, and as long as the Panasonic hdc-tm700 had a 100ISO-Lock, I'd slap it on that and have a field day, as I feel like aperture doesn't have a purpose in my heart beyond opening up enough to let light in. It also has a 1.5-28 amazing 35MM lens at its zoomed-out point, meaning I'm guessing no worrying about facial distortion whatsoever, and it has IS and a Mic input. Also has a 42mm screw in mount for wide angle converters and filters, meaning that yes, a ND would make it not have a 'camcorder look' out in daylight, even if it had auto-aperture, which it probably is even pretty advanced in that too.
So what in the world are the downsides to a camera like this? It has a fan, no overheating. Records long periods of time if you need that. The zoom on this camera is downright amazing, I'm guessing from the look of videos that it has at least a 35-200 range, which is all I need myself, with a possibly a 300-500 range in the lower quality zones. It's a really small camera, no bigger than the T2i, and has an excellent flip screen and all that. Records 1080P at 60 frames per second. So what gives? Why should I not sell my T2i and lens set for a nice, super great deal to someone who'd use it for $1,000, and just snag myself a $700 Pan instead?
P.S. Would 60 frames per second truly make my videos truly immune to ever being shown on theater screens because of the frame rate, or can 60 fps be easily changed to 24 for any technical purposes? Doesn't Red film at 60 after all, along with every slow motion sequence being shot at much higher than 60?
P.S. I do say I think DSLR's prevent me from creating art because I think I discovered early on that camcorders are what drive me artistically, I had a sony handicam once, just a 720P little thing, and I had so much fun with it. But then, the lust for DSLR's left me selling the sony and actually waiting 6 months to save and buy a DSLR, then wasting another 4 months just learning about DSLRs. I could have been making tons of short films with the super fun, high quality camcorder. So its like meh.
With camcorders like the Panasonic hdc-tm700 though, the videos seem so drastically sharp that actual good "Sharpness Moire" seems to happen, instead of the DSLR's opposite quality color moire, meaning the videos are drastically sharper in quality, supposedly. With that, to be honest, quality is all I'm after, I very seldomly find any use for precision in the end, I don't really care about what aperture I have, and as long as the Panasonic hdc-tm700 had a 100ISO-Lock, I'd slap it on that and have a field day, as I feel like aperture doesn't have a purpose in my heart beyond opening up enough to let light in. It also has a 1.5-28 amazing 35MM lens at its zoomed-out point, meaning I'm guessing no worrying about facial distortion whatsoever, and it has IS and a Mic input. Also has a 42mm screw in mount for wide angle converters and filters, meaning that yes, a ND would make it not have a 'camcorder look' out in daylight, even if it had auto-aperture, which it probably is even pretty advanced in that too.
So what in the world are the downsides to a camera like this? It has a fan, no overheating. Records long periods of time if you need that. The zoom on this camera is downright amazing, I'm guessing from the look of videos that it has at least a 35-200 range, which is all I need myself, with a possibly a 300-500 range in the lower quality zones. It's a really small camera, no bigger than the T2i, and has an excellent flip screen and all that. Records 1080P at 60 frames per second. So what gives? Why should I not sell my T2i and lens set for a nice, super great deal to someone who'd use it for $1,000, and just snag myself a $700 Pan instead?
P.S. Would 60 frames per second truly make my videos truly immune to ever being shown on theater screens because of the frame rate, or can 60 fps be easily changed to 24 for any technical purposes? Doesn't Red film at 60 after all, along with every slow motion sequence being shot at much higher than 60?
P.S. I do say I think DSLR's prevent me from creating art because I think I discovered early on that camcorders are what drive me artistically, I had a sony handicam once, just a 720P little thing, and I had so much fun with it. But then, the lust for DSLR's left me selling the sony and actually waiting 6 months to save and buy a DSLR, then wasting another 4 months just learning about DSLRs. I could have been making tons of short films with the super fun, high quality camcorder. So its like meh.
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