Do you think Slog 2/ S-Gamut3.cine need a LUT to convert to Rec 709?

So if I have this right, you never boost the saturation because of the cinema profile you use?

With CINE4 and Cinema color I don't have to increase saturation by much if at all. It has a nice look but use HSL to enhance certain colors. Sometimes the grass or tree leaves are a little yellow so I will bring in more green by pushing the yellow channel towards the green. Maybe warm skin tone by pushing the skin tone towards red a little. This is with the a7rii. With the C300 or FS7 I shoot slog/clog and do the full grade thing but generally don't use a LUT.
 
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