Director Katherine Brooks is offering spend a day on set shadowing her...

since this thread has nothing to do with the OP anymore, here's my two cents:

there are two people on this website, two kind of mind-sets.

first: the video-production-maker (be it film, documentary, etc)

second: the artist.

some are both, of course.

i've been reading a book and the author mentions how in the beginning hollywood was basically a town full of "crew". that crew would know how to handle a camera and have a director to tell them what to do. then they had a film that they physically sold to a theater. as things got more complicated (expensive), the crew needed a producer to manage them.

that is pretty much what hollywood is to this day (i think). i think the old way of approaching the film production business is still going on now. people are still trying to sell you a "thing". it used to be a roll of film, now it's a disc, or megabytes. i could say the same for the music industry to. people are selling "stuff".

this is all fine and dandy. but in this day and age, we have something called the internet. and as far as video production goes, the economic need to physically distribute information is becoming less important by the year. problem is, people are still fixed on selling a "thing", whereas all you should be focusing on is the collection of pictures and sound for your target audience.

i am hoping that there is going to be a revolution, of sorts, as far the filmmaking business is conducting itself. and if that does happen, how it happens will surprise everyone.

i think what a film should do is: tickle your target audience's emotions/thoughts/imaginations. that's it, plain and simple. i think a lot of the energies that filmmakers the world over are putting into production are too bogged down in the details. the focus has changed from tickling emotions/thoughts/imaginations to: should i make a film or doc? should i have the script in a particular format.

i say, why not step back a bit, and look at what you REALLY want to do here. sure, everyone would like to own the newest HD cam, the fastest-reading script, the biggest budget, etc. but these all add up to a lot of money.

yes, to do a proper feature, you need this and this and this.

but, and this is my argument, to tickle peoples emotions/thoughts/imaginations, i think all that you need, aside from talent, is: a digital camera, tripod, an actor, and a computer.

start small. start really small.

to illustrate what i'm talking about, think of the top YouTube channels. the kind of thing i'm talking about is dominated by comedy-themed entertainment. but why not expand this more? why not a horror-themed entertainment experience? a romance-themed one? the point is, if you're into entertaining (or even informing) people, then i think the sky's the limit as to the possibilities the internet can provide. however, i honestly think that if you're into the dvd (or br) selling business, in this day and age, your days are numbered.

all i'm saying is: maybe the whole approach needs rethinking.

are you selling an experience or a thing?


btw, i have no practical experience in any of the above.

what do you guys think?
 
If you think about what Barry is saying, we should all view this as a huge opportunity for indie filmmakers now that technology has afforded even the smallest filmmaker to make something that's at least pleasing to the eye aesthetically.

It's up to us to make something people want, bottom line. The playing field has leveled now more than we realize. If I was trying to shoot film in the 70's or even 80's, there's no way I could afford to do it. I can now though and it's my job to take my vivid imagination and make it into something entertaining.

And Barry's too nice to say this but there's a lot of crappy films out there people... done by Hollywood. Take your original idea and bust the door down, this is the best time to do it.
 
It's up to us to make something people want, bottom line. The playing field has leveled now more than we realize. If I was trying to shoot film in the 70's or even 80's, there's no way I could afford to do it.[ I can now though and it's my job to take my vivid imagination and make it into something entertaining.
That's exactly it. Thing is, that job (making something entertaining) hasn't gotten any easier. Price tags on equipment have come down, but the raw ability to make something entertaining, that hasn't changed.

People like to say the printing press democratized publishing. Or, wait -- was it the typewriter that did it? Or perhaps it was the word processor? The laser printer? Hell, the simple fact is, a pencil and paper work to tell a story -- IF YOU'RE A WRITER. If you're not a writer, none of the equipment matters.

So what I'm saying is -- SO WHAT if the equipment is marginally cheaper now than it was 7 years ago when the DVX first hit? So what? What's really changed, in the overall landscape? Nothing, except for those folks who somehow think that "equipment" is what's really holding them back. And now that they can afford cheaper equipment ... they'll soon enough find that the equipment wasn't what was holding them back at all.

People who have got it in them, don't worry about a pixel here or there, or whether a four thirds sensor is as big as an aps-c sensor. People who have got "it" in them, are working on stories, whether they're using an HV20 or a Red One, an F35 or a Go Pro HD, or a DVX100 or an HVX200 or a JVC HD100 or a CP16. And those who really, really have it in them and don't even have a camera? They'll use a notepad and draw flip animations. And those who can't draw? They'll write.
 
Last edited:
definitely talent over equipment. there's a lot of equipment out there, but the talent is rare. maybe the talent is good but doesn't have the right people harnessing it.

edit: artistic talent as well as business talent.
 
Last edited:
Back
Top