krost-audiovisual
Well-known member
Hi All,
wanted to share my latest project shot on the F55 Slog3/Cine
http://www.stefankroesbacher.com
(currently top left box....)
Here's what we did:
The studio was 12m*6m*5m
As we wanted to have a "store" feel we decided to have basically a single source of daylight.
Therefor we had to full frost all the windows to create a single soft source of main light.
this decision was made because we shot from 7am to 11pm, and therefor had to
make the light constant throughout the day (Sunrise was 8am, set was 4pm (facing north in winter))
In the pic you see 2 6ks and 2 4ks evenly distributed throughout the glass front.
on the inside we added a 1k spacelight for the backroom, as the windows were blocked
by an artificial back wall and there was too little light there.
for the shots with the models on the floor we brought in a 800w him with a chimera softbox
to make them stand out a little.
this light we moved upstairs later to further get some light into the backroom...
the rotation relocation station was the entrance to a dark room of the photographers studio,
so we put 2 LED panels set to a little warmer tone inside with the door opening frosted ...
For the topshots we place a f700 with an odyssey recording UHD on a 10mm Sigma 3.5
Naturally due to the wide angle bending the persons way left or right (really ugly) we had to
support that with 2 more cameras over the group on the left and the sales floor and comp that
which i did inside fcpx....
we used Gopros, with on unfortunately deciding to brake somewhat during the shoot, therefor the models
on the right look as they do ;((
In the last shot we used the FS700 only...
Everything was edited and graded inside FCPX,
Animations were done in Motion..
i must admit i had a hard time with slog3 on this one.
can't put my finger on it why...
plan on doing some tests slog2 vs slog3, especially concerning hi light clipping/compressing...
check it out!
wanted to share my latest project shot on the F55 Slog3/Cine
http://www.stefankroesbacher.com
(currently top left box....)
Here's what we did:
The studio was 12m*6m*5m
As we wanted to have a "store" feel we decided to have basically a single source of daylight.
Therefor we had to full frost all the windows to create a single soft source of main light.
this decision was made because we shot from 7am to 11pm, and therefor had to
make the light constant throughout the day (Sunrise was 8am, set was 4pm (facing north in winter))
In the pic you see 2 6ks and 2 4ks evenly distributed throughout the glass front.
on the inside we added a 1k spacelight for the backroom, as the windows were blocked
by an artificial back wall and there was too little light there.
for the shots with the models on the floor we brought in a 800w him with a chimera softbox
to make them stand out a little.
this light we moved upstairs later to further get some light into the backroom...
the rotation relocation station was the entrance to a dark room of the photographers studio,
so we put 2 LED panels set to a little warmer tone inside with the door opening frosted ...
For the topshots we place a f700 with an odyssey recording UHD on a 10mm Sigma 3.5
Naturally due to the wide angle bending the persons way left or right (really ugly) we had to
support that with 2 more cameras over the group on the left and the sales floor and comp that
which i did inside fcpx....
we used Gopros, with on unfortunately deciding to brake somewhat during the shoot, therefor the models
on the right look as they do ;((
In the last shot we used the FS700 only...
Everything was edited and graded inside FCPX,
Animations were done in Motion..
i must admit i had a hard time with slog3 on this one.
can't put my finger on it why...
plan on doing some tests slog2 vs slog3, especially concerning hi light clipping/compressing...
check it out!
Last edited:
